Tess of the d’Urbervilles du roman à l’écran : les ambiguïtés du point de vue
Even though the notion of « point of view » in fiction naturally involves a visual metaphor, the transposition of point of view appears to be one of the great challenges of adaptations of novels into films. Indeed, Hardy’s narrators, at least in his late fiction, are tantalisingly ambiguous, and ten...
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| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2006-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12496 |
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