The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos

Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own worksho...

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Bibliographic Details
Main Author: Rosário Salema de Carvalho
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2025-02-01
Series:Eikón Imago
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Online Access:https://revistas.ucm.es/index.php/EIKO/article/view/92881
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