The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own worksho...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2025-02-01
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| Series: | Eikón Imago |
| Subjects: | |
| Online Access: | https://revistas.ucm.es/index.php/EIKO/article/view/92881 |
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