The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos

Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own worksho...

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Main Author: Rosário Salema de Carvalho
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2025-02-01
Series:Eikón Imago
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Online Access:https://revistas.ucm.es/index.php/EIKO/article/view/92881
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author Rosário Salema de Carvalho
author_facet Rosário Salema de Carvalho
author_sort Rosário Salema de Carvalho
collection DOAJ
description Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own workshop – are well documented, the same cannot be said of the prints. Nonetheless, these works remain highly significant, as they were the main vehicles for the dissemination of images in the 18th century. In Portugal (and Brazil), researchers have found 34 eighteenth-century azulejo panels inspired by this composition. Based on these findings, they concluded that the model launched by Le Moyne’s painting and promoted by Cars’ print became highly popular from the 1740s on, and even more so with the rise of the Rococo style. In fact, it ended up replacing the previous models, thereby putting an end to the pictorial diversity that had characterized former depictions of the Annunciation in azulejo.
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publisher Universidad Complutense de Madrid
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spelling doaj-art-2bb7d68941634012a13ff809c3b07d812025-02-07T22:23:30ZengUniversidad Complutense de MadridEikón Imago2254-87182025-02-011410.5209/eiko.92881The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejosRosário Salema de Carvalho0a:1:{s:5:"en_US";s:120:"Az – Azulejo Research Network, ARTIS – Institute of Art History, School of Arts and Humanities, University of Lisbon";} Considered lost until a few years ago, the Annunciation painted by François Le Moyne in 1727 (and turned into a print, in the following year, by Laurent Cars) was widely copied, both in paintings and prints. But while the paintings – some of them thought to have originated in Le Moyne’s own workshop – are well documented, the same cannot be said of the prints. Nonetheless, these works remain highly significant, as they were the main vehicles for the dissemination of images in the 18th century. In Portugal (and Brazil), researchers have found 34 eighteenth-century azulejo panels inspired by this composition. Based on these findings, they concluded that the model launched by Le Moyne’s painting and promoted by Cars’ print became highly popular from the 1740s on, and even more so with the rise of the Rococo style. In fact, it ended up replacing the previous models, thereby putting an end to the pictorial diversity that had characterized former depictions of the Annunciation in azulejo. https://revistas.ucm.es/index.php/EIKO/article/view/92881IconographyAnnunciationAzulejoPrintCopy
spellingShingle Rosário Salema de Carvalho
The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
Eikón Imago
Iconography
Annunciation
Azulejo
Print
Copy
title The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
title_full The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
title_fullStr The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
title_full_unstemmed The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
title_short The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos
title_sort afterlife of francois le moyne s annunciation on eighteenth century portuguese azulejos
topic Iconography
Annunciation
Azulejo
Print
Copy
url https://revistas.ucm.es/index.php/EIKO/article/view/92881
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AT rosariosalemadecarvalho afterlifeoffrancoislemoynesannunciationoneighteenthcenturyportugueseazulejos