Existentialist Ideas in Luchino Visconti’s Films: Intertextual and Contextual Perspectives
The article presents an analysis of the embodiment of existentialist ideas in the cinematic work of the 1940s — 1960s of the Italian director Luchino Visconti. The main attention is paid to the screen adaptation of the novel The Stranger (1942) by the French existentialist philosopher Albert Camus i...
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| Format: | Article |
| Language: | English |
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State Institute for Art Studies
2024-12-01
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| Series: | Художественная культура |
| Subjects: | |
| Online Access: | https://artculturestudies.sias.ru/upload/iblock/9e5/otpcsm3svn21wue03zkzmrwjqmli1z7w/hk_2024_4_748.pdf |
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