Sound and Perception in Ridley Scott’s <i>Blade Runner</i> (1982)
This paper discusses the renewal of the conception of film sound and music following the technological advances of the late 1970s. It analyses the ways in which film sound and music freed themselves from traditional uses and became elements to be designed creatively. The soundtrack composed by Vange...
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| Format: | Article |
| Language: | English |
| Published: |
MDPI AG
2024-10-01
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| Series: | Arts |
| Subjects: | |
| Online Access: | https://www.mdpi.com/2076-0752/13/5/154 |
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