L’impossible guérison de Saül : Considérations sur le solo de harpe de l’oratorio Saul de Georg Friedrich Haendel et Charles Jennens (1739)
The starting-point of this paper lies in the debate on the suitability of performing the harp solo given to the character of David in Handel’s Saul (1739). Rejected by certain editors, the passage is supposed to represent the healing of Saul by David and should as such be regarded as a significant p...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2025-03-01
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| Series: | Etudes Epistémè |
| Subjects: | |
| Online Access: | https://journals.openedition.org/episteme/20307 |
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