Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s

The Irish designer Eileen Gray (1878-1976) is recognized as one of the foremost artists of the 1920s. Detailed analysis of the accounts of the Jean Désert showroom in Paris, opened by Gray in 1922, adds to our understanding of her approach to design and marketing. The showroom did not only fail due...

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Main Author: Tim Benton
Format: Article
Language:fra
Published: Ministère de la culture 2021-11-01
Series:Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Subjects:
Online Access:https://journals.openedition.org/craup/8850
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author Tim Benton
author_facet Tim Benton
author_sort Tim Benton
collection DOAJ
description The Irish designer Eileen Gray (1878-1976) is recognized as one of the foremost artists of the 1920s. Detailed analysis of the accounts of the Jean Désert showroom in Paris, opened by Gray in 1922, adds to our understanding of her approach to design and marketing. The showroom did not only fail due to low turnover but also due to the high fixed costs involved in subsidising the lacquer workshop run by Seizo Sougawara and the rug workshop managed by Evelyn Wyld. The article addresses the following questions: What was the financial viability of the showroom? Who were Gray’s clients? What kinds of items sold best? What does the showroom tell us about Gray’s approach to design? How does her practice differ from that of other designers of the day? What clues do the documents give to understanding Gray’s clients and their social milieu?
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publisher Ministère de la culture
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series Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
spelling doaj-art-1ef36af443c14ce58a8902b61e02acfd2025-01-30T11:07:04ZfraMinistère de la cultureLes Cahiers de la Recherche Architecturale, Urbaine et Paysagère2606-74982021-11-0110.4000/craup.8850Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920sTim BentonThe Irish designer Eileen Gray (1878-1976) is recognized as one of the foremost artists of the 1920s. Detailed analysis of the accounts of the Jean Désert showroom in Paris, opened by Gray in 1922, adds to our understanding of her approach to design and marketing. The showroom did not only fail due to low turnover but also due to the high fixed costs involved in subsidising the lacquer workshop run by Seizo Sougawara and the rug workshop managed by Evelyn Wyld. The article addresses the following questions: What was the financial viability of the showroom? Who were Gray’s clients? What kinds of items sold best? What does the showroom tell us about Gray’s approach to design? How does her practice differ from that of other designers of the day? What clues do the documents give to understanding Gray’s clients and their social milieu?https://journals.openedition.org/craup/8850Eileen GraySeizo SougawaraEvelyn WyldArt DécoFurnitureClientele
spellingShingle Tim Benton
Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Eileen Gray
Seizo Sougawara
Evelyn Wyld
Art Déco
Furniture
Clientele
title Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
title_full Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
title_fullStr Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
title_full_unstemmed Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
title_short Eileen Gray’s Jean Désert showroom 217 Rue du Faubourg Saint-Honoré, Paris ; marketing design in the 1920s
title_sort eileen gray s jean desert showroom 217 rue du faubourg saint honore paris marketing design in the 1920s
topic Eileen Gray
Seizo Sougawara
Evelyn Wyld
Art Déco
Furniture
Clientele
url https://journals.openedition.org/craup/8850
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