Montage, Memories, Machine
This paper explores the entanglement of human perception and machine operations in contemporary photographic culture, using montage as a conceptual resource to interrogate our understanding of photography in the context of computational vision and algorithmic culture. It takes as a key example the...
Saved in:
| Main Author: | Jasmin Pfefferkorn |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
2024-06-01
|
| Series: | Media Theory |
| Subjects: | |
| Online Access: | https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1071 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Archive and/as Montage in The City as Text: Exposing the Chilean Social Uprising
by: Tessa Oliveira
Published: (2025-07-01) -
Roman Dominguez Jimenez, Rythme, geste, montage : esquisse pour une technologico-politique par le cinéma
by: Román Domínguez Jiménez
Published: (2012-12-01) -
Local spatial analysis of EEG signals using the Laplacian montage
by: A. A. Slezkin, et al.
Published: (2024-02-01) -
Somatic Montage for Immersive Cinema
by: Chamier-Waite Clea von
Published: (2021-12-01) -
Ozu, le siècle et le geste
by: Román Domínguez Jiménez
Published: (2011-11-01)