Montage, Memories, Machine

This paper explores the entanglement of human perception and machine operations in contemporary photographic culture, using montage as a conceptual resource to interrogate our understanding of photography in the context of computational vision and algorithmic culture. It takes as a key example the...

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Bibliographic Details
Main Author: Jasmin Pfefferkorn
Format: Article
Language:English
Published: Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ) 2024-06-01
Series:Media Theory
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Online Access:https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1071
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