Montage, Memories, Machine
This paper explores the entanglement of human perception and machine operations in contemporary photographic culture, using montage as a conceptual resource to interrogate our understanding of photography in the context of computational vision and algorithmic culture. It takes as a key example the...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
2024-06-01
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| Series: | Media Theory |
| Subjects: | |
| Online Access: | https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/1071 |
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