Existential and Phenomenological Horror in Les Diaboliques

This article will show how, through an expressionist style that references Gothic and noir cinema, Les Diaboliques (Henri-Georges Clouzot, 1955) mediates concepts found in contemporary post-war French existentialism, in particular the phenomenology of horror of Sartre, with whom the director had a p...

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Bibliographic Details
Main Author: Daniel Tilsley
Format: Article
Language:English
Published: Edinburgh University Press 2025-02-01
Series:Film-Philosophy
Subjects:
Online Access:https://www.euppublishing.com/doi/10.3366/film.2025.0291
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