Dans le laboratoire de l’artiste : des représentations à l’épreuve du vivant
Artists increasingly choose scientific devices and even its methodology as the center of their practice. Is this the expression of a desire to base creation on objectively established knowledge, in a society still largely subject to positivist models? Moreover, can and should their work, which const...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2021-06-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/10863 |
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