Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera
Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack. In this article, I explore the fusion of cinema with the musical genre of opera. By considering that film is a performative medi...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Université de Bourgogne
2022-12-01
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| Series: | Interfaces |
| Subjects: | |
| Online Access: | https://journals.openedition.org/interfaces/6307 |
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