De Byron à Benjamin Britten : quelques Venises anglaises

When in October 1971, composer Benjamin Britten, his life-long companion and privileged performer, tenor Peter Pears, his librettist Myfanwy Piper and set designer John Piper set off to Venice in order to adapt for the opera stage Thomas Mann’s novella Der Tod in Venedig (1912) as their own Death in...

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Bibliographic Details
Main Author: Gilles Couderc
Format: Article
Language:English
Published: Presses Universitaires du Midi 2024-08-01
Series:Caliban: French Journal of English Studies
Subjects:
Online Access:https://journals.openedition.org/caliban/12446
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