De Byron à Benjamin Britten : quelques Venises anglaises
When in October 1971, composer Benjamin Britten, his life-long companion and privileged performer, tenor Peter Pears, his librettist Myfanwy Piper and set designer John Piper set off to Venice in order to adapt for the opera stage Thomas Mann’s novella Der Tod in Venedig (1912) as their own Death in...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2024-08-01
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| Series: | Caliban: French Journal of English Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caliban/12446 |
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