«Beltà, poi che t’assenti»: Milva, from Madrigals to Ghosts, in Gesualdo – Death for Five Voices by Werner Herzog
This article explores the interrelation between music, image, and narrative in Werner Herzog’s cinema through the conceptual metaphor of spectrality. Herzog’s films construct an “acoustic vision,” where music does not merely accompany images but unlocks their latent meanings, creating a tension betw...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
University of Bologna
2025-07-01
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| Series: | Cinergie |
| Subjects: | |
| Online Access: | https://cinergie.unibo.it/article/view/21863 |
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