Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner

The urban future of Los Angeles in Ridley Scott’s film Blade Runner (1982) is one of advanced decay, an sf-noir vision of a postwar metropolis in decline. While the city falls into profound disrepair and its citizens succumb to debilitating sicknesses, however, the furor over fugitive replicants con...

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Main Author: Robert Yeates
Format: Article
Language:fra
Published: Université de Limoges 2021-06-01
Series:ReS Futurae
Subjects:
Online Access:https://journals.openedition.org/resf/9308
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author Robert Yeates
author_facet Robert Yeates
author_sort Robert Yeates
collection DOAJ
description The urban future of Los Angeles in Ridley Scott’s film Blade Runner (1982) is one of advanced decay, an sf-noir vision of a postwar metropolis in decline. While the city falls into profound disrepair and its citizens succumb to debilitating sicknesses, however, the furor over fugitive replicants consumes the attentions of the authorities and the blade runner protagonists. The film and the 1997 video game based upon it take a novel set in San Francisco, the home of some of the first gay neighborhoods in the US that suffered from the crackdowns of the late 1970s and 1980s, and transplants this to Los Angeles, a city which glamorized decay, adding an aesthetic that draws on the look of New York, a city notoriously in economic decline in the 1970s. The plight of specials, replicants, and blade runners in the Blade Runner universe reflects the context of a culture fixated on the policing of arbitrary dividing lines separating what is designated sexually deviant or undesirable in American cities at the time.
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spelling doaj-art-0fc34a6e74b24053b07e565ffffe42712025-01-06T10:42:38ZfraUniversité de LimogesReS Futurae2264-69492021-06-011710.4000/resf.9308Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade RunnerRobert YeatesThe urban future of Los Angeles in Ridley Scott’s film Blade Runner (1982) is one of advanced decay, an sf-noir vision of a postwar metropolis in decline. While the city falls into profound disrepair and its citizens succumb to debilitating sicknesses, however, the furor over fugitive replicants consumes the attentions of the authorities and the blade runner protagonists. The film and the 1997 video game based upon it take a novel set in San Francisco, the home of some of the first gay neighborhoods in the US that suffered from the crackdowns of the late 1970s and 1980s, and transplants this to Los Angeles, a city which glamorized decay, adding an aesthetic that draws on the look of New York, a city notoriously in economic decline in the 1970s. The plight of specials, replicants, and blade runners in the Blade Runner universe reflects the context of a culture fixated on the policing of arbitrary dividing lines separating what is designated sexually deviant or undesirable in American cities at the time.https://journals.openedition.org/resf/9308Scott (Ridley)genderBlade Runnerurban decay
spellingShingle Robert Yeates
Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
ReS Futurae
Scott (Ridley)
gender
Blade Runner
urban decay
title Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
title_full Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
title_fullStr Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
title_full_unstemmed Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
title_short Décadence urbaine et Hors-la-loi sexuels dans l’univers de Blade Runner
title_sort decadence urbaine et hors la loi sexuels dans l univers de blade runner
topic Scott (Ridley)
gender
Blade Runner
urban decay
url https://journals.openedition.org/resf/9308
work_keys_str_mv AT robertyeates decadenceurbaineethorslaloisexuelsdansluniversdebladerunner