Vice-Versa. Regard sur les figures couchées dans les couvercles des forzieri
Daniel Arasse has highlighted the lying female nude as a pictorial genre born during the Renaissance by analysing the spatial arrangements, in particular, of Titian’s Venus of Urbino. The marriage chests, (cassoni or forzieri) painted in the background of the painting, and the nudes depicted on thei...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2006-09-01
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| Series: | Images Re-Vues |
| Online Access: | https://journals.openedition.org/imagesrevues/191 |
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