The breathless discourse. Narrating death in Louis-Ferdinand Céline’s “Death on Credit,” Samuel Beckett’s “The Unnamable” and Paul Auster’s “4321”
The article analyzes three modernist novels, Louis-Ferdinand Céline’s “Death on Credit,” Samuel Beckett’s “The Unnamable,” and Paul Auster’s “4321”. The texts examined manifest radical discursive changes that are connected with epistemological and ontological conceptions of mind and being. Modern co...
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| Format: | Article |
| Language: | deu |
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Universität Trier
2022-03-01
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| Series: | Internationale Zeitschrift für Kulturkomparatistik |
| Subjects: | |
| Online Access: | https://izfk.uni-trier.de/index.php/izfk/article/view/98 |
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