The Haunted World of El Superbeasto (Rob Zombie, 2009): An Animated Exploitation of Exploitation Cinema by Pierre Floquet

“…It could be argued that, like any exploitation movie, Rob Zombie’s 2009 animation film, while dealing with transgressive issues, relies on scandalous material in order to “exploit” specific niche audiences. …”
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Apocalypse, Gothic and Rupturing of Societal Hierarchy: An Interpretation of Marxian Tendencies in Pride and Prejudice and Zombies by Sanghamitra Ghatak

“…The modern adaptation of Jane Austen’s Pride and Prejudice, particularly the 2009 film Pride and Prejudice and Zombies, illustrates this dynamic by integrating a gothic and apocalyptic dimension into the narrative. …”
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Amnesia of Death: The Unsettled Endings of the Dead Who Don’t Know They’re Dead by Richard Hardack

“…In this essay, I try to explicate the recent prominence of texts and films that feature protagonists whose memories have been erased, and particularly who don’t remember their own histories, and especially the paradoxical fact that they have died. …”
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