Tourism and writers’ houses, in between places and literature by Aurore Bonniot-Mirloup

Subjects: “…writer’s house…”
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The Form and Functioning of the Union of Czechoslovak Writers in the Late 1940s and Early 1950s in the Context of Czech Literature by Michal Bauer

“… The study examines the transformation of the Syndicate of Czech Writers into the Union of Czechoslovak Writers at the turn of the 1940s and 1950s, when the writers’ association turned into an ideological organisation fully dependent on official politics. …”
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Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

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"[T]hings among the ruins" : les choses contre le roc dans The Song of the Lark et The Professor’s House de Willa Cather by Céline Manresa

“…In The Song of the Lark (1915) and The Professor’s House (1925), Cather evokes the hostile yet mesmerizing canyons and mesas of the American Southwest. …”
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Издательство “Всемирная литература” как первая советская литературная институция: история в документах... by Marina Arias-Vikhil’

“…As an institutional association of writers, scientists, translators and editors, the publishing house developed the principles of its existence in accordance with the complex socio-political and economic situation of the first years of revolutionary transformations in the country. …”
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“From in the light I touched the light” by Anne-Laure Tissut

“…In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. …”
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Écriture et trauma dans “The Giant Wistaria” : Quand Charlotte Perkins Gilman revisite le gothique by Paule Lévy

“…Far from being seen as a radical uprooting from Europe and a miraculous renewal in the New World, the Founding of the Nation is depicted as a grotesque transplantation of patriarchal injustice and arbitrariness.This remarkably effective tale, may also be seen as a young writer’s attempt to carve out a “Room of [her] Own” within the American “House of Fiction”. …”
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« The glittering game » : le jeu des choses dans A Lost Lady et My Mortal Enemy de Willa Cather by Céline Manresa

“…Now, in her two novels, the writer also shows how things constantly alter the progression of the plots and the relationships between the characters. …”
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RADIO PLAYS AS A SPECIAL GENRE IN THE WORK OF E. JELINEK by Tatiana V. Akasheva, Alexandra D. Zharkova

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Voices in the Urban Wilderness: Reimagining the Terms of Order in “Renaissance” Boston by Jeffrey Helgeson

“…They also built on what has been called a “neoliberal rationality” that, in part, sought to create profit centers and market-oriented ways of living in everything from public schools, public universities, and public infrastructure to residential housing and artistic culture. This essay focuses on the work of two Bostonians in particular—writer and activist Fanny Howe and Black Power artist and activist Dana C. …”
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BUNDA: KISAH CINTA 2 KODI BY ASMA NADIA: A STRUCTURALISM STUDY by Suhailee Suhailee, Ali Imron, Nafron Hasyim, Atiqa Sabardila, Markhamah Markhamah

“…The setting: schools, Kartika boarding house, campus canteens, cinemas, bookstores, Aryani's house, hospitals, abortion clinics, Tanah Abang market, Aryani's in-law's house, mushalla, and food stalls. …”
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Research of the Technological Future’s Uncertainty by J. Kovalchuk, I. Stepnov

“…Megatech: Technology and Society: 2050 in the Forecasts of Scientists and Writers. Moscow, Bombora, 2018. 400 p. (in Russian) Leonghard G. …”
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Dissemination of the Russian emigrant literature and the literature of the Book Program in East Europe in 1950-1990 by Alvydas Kazakevičius

“… Many famous Russian writers, artists, scientists, and public figures lived and worked in emigration. …”
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DEVELOPMENT OF AN IMPROVED DATABASE FOR YORUBA HANDWRITTEN CHARACTER by OLUWASHINA O. OYENIRAN, JOSHUA O. OYENIYI, LAWRENCE O. OMOTOSHO, IBRAHIM K. OGUNDOYIN

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Reading the Colours of Victorian Interiors: The Poetic Home Revisited by Charlotte Ribeyrol

“…As a consequence, the ‘evolution’ of the colour-sense received unprecedented attention, not only from the scientists who made colour production and colour perception their new object of study, but also from artists and writers like John Ruskin or William Morris who placed colour at the centre of the creative process. …”
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Langston Hughes chez Pierre Seghers : récit d’un engagement poétique by Annick Ettlin

“…Although the Harlem Renaissance considerably influenced the poets of the “negritude” movement, its editorial and academic reception among French writers and readers has been quite confidential. Yet between the translation of several poems in the 1920s and a growing number of studies produced by French researchers since 2000, the poetry of Langston Hughes in particular has been channeled towards French readers, in the 1950s and 1960s, mainly through the journal Présence Africaine and, more surprisingly, the publishing house of Pierre Seghers. …”
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Catholic Church Interiors in Fin-de-Siècle Literature by Claire Masurel-Murray

“…The works of such late-Victorian writers as Lionel Johnson, Ernest Dowson, Theodore Wratislaw, John Oliver Hobbes and Oscar Wilde represent Catholic churches as retreats set apart from the ugliness and mediocrity of Victorian England—religious versions of Des Esseintes’s Fontenay-aux-Roses house in À rebours—filled with incense, organ music, and coloured light filtering through medieval stained-glass windows. …”
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Constructing Identities: Amos Tutuola and the Ibadan Literary Elite in the wake of Nigerian Independence by Mackenzie Finley

“…Furthermore, educational experiences and sociocultural identities informed the ways in which independent Nigeria was envisioned by both Tutuola and the elite writers. While the elites’ discourse on independence reflected their proximity to Nigeria’s political elite, Tutuola positioned himself as a distinctly Yoruba writer in the new Nigeria. …”
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White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies by Heather Marcovitch

“…Of the New Woman writers who wrote humour, Ella D’Arcy is one of the more elusive. …”
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