கவிதா சொர்ண வல்லியின் சிறுகதையில் பாலின இடம் / The Place of Gender in the Short Stories of Kavitha Sornavalli... by முனைவர் அ. ஹெப்சி ரோஸ் மேரி / Dr. A. Hepsy Rose Mary

“…It is clear that Kavita Sornavalli prioritizes women in her works. This article proposes the hypothesis that Kavitha Sornavalli questions the myths about femininity that have been clandestinely constructed by Tamil society for ages and puts the place of women first. …”
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Fashion meets journalism: Mapping and evaluating Australian fashion media by Wylie Shannon

“…The study of fashion media from a cultural studies perspective acknowledges that cultural studies has pioneered the formal study of both journalism and fashion, for instance in studies of women’s magazines; but it has not brought the two areas together sufficiently. …”
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A Igreja Universal do Reino de Deus: ação social além-fronteiras by Nina Rosas

“…These programs encourage women to be committed to the church routine and to discipline themselves. …”
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W co i czym się bawić? Wskazówki w zakresie organizacji zabaw, wykonywania i wykorzystywania zabawek dziecięcych na ziemiach polskich w drugiej połowie XIX i na początku XX wieku –... by Monika Nawrot-Borowska

“…The aim of the present study is to describe selected ideas for making children’s toys published in pedagogical press, women’s magazines, and press for children and adolescents, as well as methodological pedagogy guidebooks. …”
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Persistent Gender and Racial Hierarchies: Marriage Migration and Mixedness in Morocco from the French Protectorate to the Present by Catherine Therrien, Catherine Phipps

“…This has diversified considerably throughout the 20th century: the individuals come from a much larger number of countries (no longer primarily Moroccan soldiers who returned from France with French women) and Moroccan women are now more likely to travel abroad. …”
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Images of India in the Lithuanian press of Catholic missions, 1927–1940 by Laurynas Kudijanovas

“…Based on the articles published in the Jesuit magazine “Misijos” and the Salesian magazine “Saleziečių žinios” in 3rd and 4th decades of the 20th century, three main images that represented India in Lithuania are examined: Indian spirituality and religiosity, social problems of society, primarily the caste system and women’s rights, and finally the ferocious nature of the land. …”
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« Nous qui sommes sans passé, les femmes ». À la recherche d’une généalogie féministe dans les pages de Vindicación Feminista by Claudia Jareño Gila

“…Since its creation magazine Vindicación Feminista (1976-1979) was committed to the history of Iberian feminism and in particular to the history of republican women due to its ideological affinities and personal ties Its unambiguously attachment to the republican cause from its first number legitimized its position as a feminist magazine. …”
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« Notre histoire compte » : Transmettre l’histoire des mouvements féministes et lesbiens à Genève by Carolina Topini, Isabelle Salem Diego Sentis

“…The contribution creates a visual journey and a soundscape to introduce the reader to some pivotal moments of this little-known history: the provocative actions of the WLM-Geneva; the famous « bals des chattes sauvages »; the launch of the lesbian magazine Clit 007 (1980-1986); the 1982 «Goudou-Manif»; the radio broadcasts Sappho Revient and Canicule (1980s-1990s); the 8th ILIS conference in Geneva in 1986; the cafes, bars and nightclubs; the creation of the Natalie Barney Women's Center and Lestime.…”
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Harriet Martineau (1802–1876), from Unitarianism to Agnosticism by Odile Boucher-Rivalain

“…Her many radical stances on such issues as education, women’s rights or the abolition of slavery, reflect the evolution of her ideas, from her early career as a contributor to the Unitarian magazine The Monthly Repository to her later philosophical enquiry into the progress of the world and man’s individual and social responsibilities. …”
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Mettre l’intime en bande dessinée. Un dialogue avec Léna Merhej et Noémie Honein by Michela De Giacometti, Laura Odasso

“…In 2007, Léna Merhej founded, with three Lebanese artists and cartoonists, the magazine Samandal (“salamander” in Arabic), whose vocation is to be, like this amphibian, a hybrid entity. …”
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