“JUGGLE” FOR CLARINET AND PIANO BY CRISTIAN MARINA – CHANGING THE SEMANTICS OF CONTEMPORARY MUSICAL CREATION FROM THE POINT OF VIEW OF VARIOUS INSTRUMENTAL VERSIONS by Cristian BENCE-MUK

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Music Lyrics and Influence on Teen Sex by Donna Davis

“…They weren’t nearly as explicit as the lyrics of today’s music, and while I swore that I’d never become my mother, I now find myself fighting with my children to turn it off! …”
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Music Lyrics and Influence on Teen Sex by Donna Davis

“…They weren’t nearly as explicit as the lyrics of today’s music, and while I swore that I’d never become my mother, I now find myself fighting with my children to turn it off! …”
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WHERE TWO WORLDS MEET: LIGETI AND ROMANIAN FOLK MUSIC by Bianca Ţiplea TEMEŞ

“…The study will therefore show that Ligeti’s interest in this went far beyond composition, comprising transcriptions of Romanian folk music (during his stay at the Folk Music Institute in Bucharest, in 1949-1950) and also broad theoretical approaches, later published in Budapest. …”
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The New Edition of the Tablature of Joannes de Lublin: Tradition and Perspectives by Kateryna Schöning

“…The edition provides literal, but good, readable transcriptions. …”
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»Non confundentur«. Von der gelehrten ›Palestrinesca pratica‹ zur Harmonielehre by Roberta Vidic

“…The practical and theoretical engagement with Palestrina’s music is the basis for the music-theoretical innovations of Francesco Antonio Calegari (1656–1742), founder of the Paduan ‘Scuola dei rivolti’. …”
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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

“…Placing cutouts from the printed score side by side with the manuscripts of his transcriptions kept at the Paul Sacher Foundation, one may discover this piece’s origins, and the process by which Ligeti, the “archaeologist” brought the rich stock of Romanian folk music from the wax cylinders to the symphony orchestra. …”
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Zoltán Kodálys Harmonielehre – ein Rekonstruktionsversuch by Anna Dalos

“…In 1907, at the age of 25, Zoltán Kodály began teaching music theory and composition at the Budapest Academy of Music. …”
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A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts by Courtney C. Walton, James N. Kirby, Sabrina McKenzie, Sabrina McKenzie, Caroline X. Gao, Caroline X. Gao, Rosemary Purcell, Rosemary Purcell, Simon M. Rice, Simon M. Rice, Margaret S. Osborne, Margaret S. Osborne

“…First, was to examine the relationship between self-compassion and mental health among performing artists in dance, music, and acting. Second, was to test a brief compassion-based intervention to establish proof of concept for future work.MethodTwo sequential studies recruiting Australian performing artists were conducted. …”
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Taking Time: A Mixed Methods Study of Parkinson’s Disease Caregiver Participation in Activities in Relation to Their Wellbeing by Lia Prado, Rebecca Hadley, Dawn Rose

“…Reasons for participating in activities for people with PD included being able to socialise in an empathetic safe space, alongside engaging in physical activity that provided some respite distraction, such as dancing with others to music. Reasons for not participating included generating time for oneself and increasing the independence of the person with PD. …”
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The Fundamenta compositionis Jean Kuhnaus 1703. Edition, Translation, and Commentary by Frederik Kranemann, Derek Remeš

“…Part one of this article explores the Fundamenta’s provenance in detail; part two provides a transcription and English translation.…”
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Beyond the spotlight: Unveiling the gender bias curtain in movie reviews. by Jad Doughman, Wael Khreich

“…We also find that benevolent sexism is most common in Family and Music genres, reflecting the romanticization of gender roles, whereas hostile sexism peaks in Romance. …”
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The Gesangleiter in Joseph Riepel’s Baßschlüssel (1786) – First Part by Stefan Eckert

“…Joseph Riepel’s Anfangsgründe zur musikalischen Setzkunst (Fundamentals of Musical Composition) is an important source for our understanding of eighteenth-century compositional theory and pedagogy. …”
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