THEATRICAL LIFE AND REPERTOIRE OF THE MARIONETTE THEATRE OF ESTERHÁZ by Kata ASZTALOS

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Shakespeare During Covid-19: Expanding Our Theatrical Horizons by Méline Dumot

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Insurrection and Integration: The Indian “Mutiny” of 1857 and the Theatrical Renegotiation of Ethnic Alterities by Marty Gould

“…Set loose upon the theatrical stage, the sharp juxtaposition of these collapsed racial and cultural identifications helped to transform an imperial crisis into a metropolitan project of nationalist reconstruction.…”
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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…Given the allure that works featuring elements of imagination, allegory, and symbolism hold for adaptation in visual arts, particularly in cinema, this study aims to explore the potential for theatrical and cinematic adaptation within the framework of Nezami's Haft Peykar, focusing specifically on its ‘Fifth Dome’. …”
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Gender inequality in the Nordic film industry: Exploring above-the-line positions in film production by Loist Skadi, Ehrich Martha Emilie, Radziwill Sophie, Prommer Elizabeth

“…Our analysis of 1,070 films produced and released theatrically between 2010 and 2020 in Denmark, Finland, Iceland, Norway, and Sweden shows men dominating directing, writing, and producing roles in 75 per cent of the cases, with women slightly more present in producing. …”
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“Millions of false eyes / Are stuck upon thee.” The scope of surveillance in Measure for Measure by Sébastien Lefait

“…I then show that the Duke stands as a polymorphous vehicle of surveillance, his status being characterised by hypervision and overinformation, but also by a propensity to act as a stage producer. Finally, I demonstrate that Measure for Measure suggests that theatrical representation apes God’s creation, but also exposes the scopic regime of drama as a perversion of divine surveillance. …”
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Retrieving, Translating, and Archiving, Hubert Ogunde’s Aye by Adedoyin Aguoru

“…Hubert Ogunde’s theory, art and performance defined the earliest professional theatrical movement in Nigeria. The preservation of this national theatrical form through translations and storing it in a retrievable format will enhance the preservation of this national treasure. …”
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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine by Jeanne Schaaf, Julien Alliot

“…However, even as blogs, wikis and other such social media tend to become ubiquitous, the very notion of what is actually “taking place” during the theatrical event is now radically questioned as theatre is gradually dis-located into the cyberspace. …”
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„Das Leben als Theater”. Afisze niemieckiego Teatru Miejskiego w Poznaniu w zbiorach Biblioteki Raczyńskich by Agnieszka Urbańska

“…The article examines eighteenth and nineteenth century posters produced or commissioned by the German Municipal Theatre in Poznań (then German Posen) that have been preserved in the collections of the Raczyński Library. …”
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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893) by Ignacio Ramos Gay

“…By posing these and other related matters, the work argues that the debate on the superiority of French or English as theatrical languages is inevitably bound to the ever-fluctuating issue of Britishness. …”
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Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

“…Such is the challenge faced by the amateur company of mechanicals who are producing the love tragedy of Pyramus and Thisbe, A Midsummer Night’s Dream’s play within the play featuring a fearful lion. …”
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By the time you read this it is already too late by Theron Schmidt

“…This may take the form of an explicit theatricality, foregrounding and reflecting upon the conditions of being seen and being heard, of the speech and appearance of an actor – which can have both dramatic as well as political dimensions (Arendt [1958] 1998; Schmidt 2017). …”
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