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AN ORIGINAL COPY: THE FILM ADAPTATION OF KAZUO ISHIGURO’S NEVER LET ME GO / ORJİNAL BİR KOPYA: KAZUO ISHIGURO’NUN NEVER LET ME GO ROMANININ FİLM UYARLAMASI
Published 2016-12-01“…The film, on the other hand, is a reassuring science fiction where the human is offered as a determined category by setting the identity of the human against its other- nonhuman or clone.…”
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Film as communicational mediation of the ecological crisis
Published 2022-10-01“…The question of how this ecological stance is cinematically articulated in Avatar, in science-fictional terms, is all important, because a communicational failure in this regard would fall short of imparting to audiences the potential outcome of the continuing destruction of ecosystems, comparatively speaking, on Earth. …”
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Le docufiction l’Odyssée de l’espèce. Analyse didactique et pistes d’exploitation en classe de terminale S
Published 2013-01-01“…The evolution of the human lineage is a strong theme of French programs in Life sciences at the college and high school. It is also at the heart of television fictional documentary reporting a narrative scenography. …”
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky
Published 2025-02-01“…Tarkovsky’s well-established relationship with Eduard Artemiev, matured within the Moscow studio, allowed Tarkovsky to use electronic sounds in some of his films, such as Solaris, in a manner far removed from the worn-out standards of science-fiction cinema. …”
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La salle de cinéma comme attraction spectacle : le cas Captain Eo à Disneyland Paris
Published 2012-04-01“…This article tries to question the link between the public and a precise movie theater, in Disneyland Paris Marne-La-Vallée, proposing again since june 2010 the attraction Captain Eo, science-fiction 3D movie by Francis Ford Coppola in 1986, starring Michael Jackson. …”
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