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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto
Published 2017-11-01“…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. …”
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Translating French Drama for English Audiences: Adolphe Belot’s L’Article 47
Published 2017-11-01“…What, if anything, can we learn about English cultural and racial stereotypes from the reviews of this sensational drama? These are some of the questions this essay will seek to answer.…”
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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton
Published 2017-11-01“…In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collaboration of renowned novelist Edward Bulwer-Lytton and actor and theatrical manager William Charles Macready would prove to be decisive in shaping early Victorian drama and setting high standards in production and artistic integrity, which would be followed by successive managers. …”
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The Renewal of the Twenty Years in Theater: Revisions Based on The Danton Case by Stanisława Przybyszewska from 2008
Published 2024-12-01“… The article results from the author’s participation in a project proposing interdisciplinary perspectives on contemporary revisions of the interwar period (1918–1939), including the interwar period in theater. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel
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Reproductive Politics and Parental Economies in Titus Andronicus
Published 2023-01-01“…Tamora, Queen of the Goths in Shakespeare’s Titus Andronicus (1594), belongs to a relatively substantial canon of pregnant characters in English early modern drama. Her pregnant embodiment has generated less critical interest than the pregnancies and maternities of later tragic heroines. …”
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Le “Written Speech” yeatsien et ses expressions scéniques
Published 2013-06-01“…In a first period of his theatrical works, inspired by Irish legends, Yeats endorses the myth of an oral tradition of the Irish people, for which his theatre becomes the speaker. …”
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The Auto/biographical Nature of Ukrainian Women’s Literature on the War in Donbas
Published 2024-12-01“…The paper discusses the perspective of women, forms of undermining patriarchy, and rhetoric of “national autobiography” along with self-consciousness and self-reflexivity as markers of auto/biographical texts of Ukrainian women writers of the period in the selected texts.…”
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Investigating Students’ Academic Self-Efficacy in Play Performance Class
Published 2025-01-01“… Play Performance class at the English Language Education Study Program of Sanata Dharma University is designed to introduce students to fundamental concepts of drama and elaborate underlying principles of drama performance that come into play. …”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE
Published 2013-06-01“…Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. …”
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The evolution of historical forms of chinese theater and integration of visual arts
Published 2025-01-01“…The development of theatrical arts in China represents a complex and multifaceted process that has undergone various stages of evolution and transformation. From the early period of the Song Dynasty, when theatrical forms were just beginning to take shape, to the flourishing of zaju drama during the Yuan era, Chinese theater has undergone significant cultural and political changes. …”
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Breaking the Frame: Arabesque and Metric Complexity in the Sunrise Scene from Ravel’s Daphnis et Chloé (1912)
Published 2008-01-01“…This paper examines how in the Sunrise Scene from Ravel’s ballet, Daphnis et Chloé (1912), he conceived of this ornament as an ostinato motif whose short rhythmic values trace the “S-curve” of contemporaneous visual arabesque through a periodic descending and ascending melodic contour. …”
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