The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Young by Gabriele, Giulia Ferdeghini, Ilario Meandri

Subjects: Get full text

Le film de mobilisation centrasiatique by Valérie Pozner

“…Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. …”
Get full text

EthnoFilm: cinema-school and ethno-laboratory by Ivan Golovnev

“…During the expeditions the ethnographic material has been gained and first editing of the received materials at portable montage studio has been made. Besides, the film draft version accompanied with a language translation and updating of film details has been showed to protagonists of shootings. …”
Get full text

Sequential film marketing in China: The study of social platforms and their impacts by Yuntsai Chou, Wei Lin

“…Because the Chinese movie market is regarded as the second-largest market worldwide, with digital advertising accounting for more than 50 % of a film's total expenditure, exploring the marketing effects of social platforms on box office performance in China is crucial for Hollywood studios. …”
Get full text

Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

“…Three films were selected which were dubbed and broadcast by two national TV studios: the Islamic Republic of Iran Broadcasting Company (IRIB) and an online Video on Demand (VOD) service, Filimo. …”
Get full text

The Mountains of Tibet in Powell & Pressburger’s Film Black Narcissus (1947) by Raphaëlle Costa de Beauregard

“…D’une manière générale la montagne bleue est présentée comme un lieu céleste, inaccessible et envoûtant tout à la fois : il s’agit aussi d’un rêve éveillé pour le metteur en scène puisque le film a été entièrement réalisé en studio, du moins en ce qui concerne les séquences à Mopu, c’est-à-dire au cœur de l’Himalaya…”
Get full text

Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. …”
Get full text

Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950) by Vilasnee Tampoe-Hautin

“…I will consider the way the inhabitants, both indigenous and expatriate, of the British colonies in the Indian Ocean (in particular Sri Lanka and India) engaged with cinema objects but also its sites and edifices (auditoriums and studios) which, from their architecture to their interior, also paid tribute to the splendour of Empire. …”
Get full text

Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky by Gabriele

“…Tarkovsky’s well-established relationship with Eduard Artemiev, matured within the Moscow studio, allowed Tarkovsky to use electronic sounds in some of his films, such as Solaris, in a manner far removed from the worn-out standards of science-fiction cinema. …”
Get full text

De la paix à la guerre, de la fiction au documentaire. Alexandre Dovjenko et Youlia Solntseva by Vanessa Voisin

“…For private as well as public reasons, the by then famous Soviet director refused the mission ascribed to feature film directors -- that is contributing to general mobilisation of the country from the rear areas, in the evacuated studios. …”
Get full text

The use of cartoon characters in brand advertising communications by G. V. Dovzhik, K. A. Arzhanova, V. N. Dovzhik

“…To demonstrate the stimulus material, 22 characters from animated films were selected (cartoons of the Soviet period, Disney studios cartoons and other foreign cartoons). …”
Get full text

Somatic Montage for Immersive Cinema by Chamier-Waite Clea von

Get full text

Une guerre en marge by Victor Barbat

“…For a year, the Soviet Documentarist crossed the country on behalf of The Moscow Newsreel Studio. The propaganda campaign that followed on screens is a total failure. …”
Get full text

From Chicago to Hollywood: the Metamorphosis of V.I. Warshawski by Nicole Décuré

“…Warshawski, and Jeff Kanew’s adaptation for the Disney studios, the article attempts to show how the subversive elements of the novels are weakened in the film and the unconventional heroine finds herself in the eternal roles of seductress and mother, which she is not in the fiction. …”
Get full text

The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

“…The paper retraces the compositional parabola that involved the author for the last years of his life, setting it down in the recording studios and human environments in which he found himself operating, in order to reconstruct, through the dense network of relationships between technology and thoughts, the milieu that gave rise to one of the multiple roots of film music. …”
Get full text

Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

“…The paper will first show that adapting comic books is ideal for the film industry as comic books perfectly fit the blockbusters’ formula. …”
Get full text