The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses by Armando Andrade Zamarripa

Subjects: “…Film studies…”
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Dijital Dönemde Belgesel Film Yapımındaki Yenilikler Üzerine Bir Değerlendirme by Ayşe Gül Toprak

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Uncharitable Film Review by Susan Appe, Bruna De Morais Holanda

“… "Uncharitable" is a 2023 documentary directed by Stephen Gyllenhaal, based on Dan Pallotta's 2008 book of the same name, and incorporating Pallotta's Ted Talk delivered in March 2013. …”
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Making »Un Tribunal para la Constitución«: A Documentary on the Creation and First Years of the Spanish Constitutional Court (1980–1986) by Miguel Beltrán, Daniel Sarmiento

“… This article explains how, from 2012 to 2015, the authors conceived, shot and edited the film »Un Tribunal para la Constitución«, a documentary about the first years of the Constitutional Court of Spain. …”
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The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Youn... by Gabriele, Giulia Ferdeghini, Ilario Meandri

“…Field observations focused on the music production of Christopher Young’s team for three films: The Autopsy (David Prior, 2022), The Offering (Oliver Park, 2023), and The Piper (Erlingur Thoroddsen, 2023). …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

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Bellek Mekânı Olarak Belgesel Sinema: Kapalıçarşı’da Kırk Bin Adım Filminde İnsan, Mekân ve Eşya by Ayşe Gül Toprak Ökmen

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The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

“…Déserts (1954), albeit only in intention, La procession de Verges (1955) and Poème électronque (1959) pioneeringly investigate different ways of understanding music in relation to moving images: from the fictional work to the documentary film, and to the multimedia experience. …”
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The Relationship between Academic History and Audio-Visual History in Lithuania: A Closing of the Gap? by Rūta Šermukšnytė

“… The article is aimed at enumerating the barriers to cooperation between audio-visual communications specialists and formal historians in Lithuania in the 1988-2005 period, determining preconditions for overcoming these stumbling blocks and demonstrating the gap between these two spheres plus the consequences of its narrowing for audio-visual work. Documentary films and documentary-type cultural programs in which recognizable historical reports are discernible and which were made in the 1988-2005 period were used to achieve these aims. …”
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