ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“… The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. …”
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Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977) by Ramon X. Rosselló

“…Secondly, we will discuss the relationship of Sirera’s writing with epic theatre, one of the dramatic genres that had the most significant impact on dramaturgy in Spain in the second half of the 1960s and early part of the 1970s. …”
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Theories of the End of the Novel by Barış Mete

“…In contrast to the classical genres, particularly the epic, the novel was about common man. …”
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AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

“…The work of Bessarabian composers (the lyric genre) convincingly illustrates the interdependence between trends, which forms a heterogeneous aesthetic musical field. …”
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Yatha in Kalmyk folklore and lyrics of the 20th century: the poetics of a musical instrument by Rimma M. Khaninova

“…Materials and methods. The Kalmyk epic “Dzhangar”, Kalmyk folk tales, Kalmyk folk songs, as well as Mongolian legends, poems by B. …”
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Ovidian intertextuality and metamorphosis in Prudentius by Philip Hardie

“…Recent work has explored the extent and detail of Prudentius’ Virgilian intertextuality, most notably in the allegorical epic the Psychomachia, but also in many others of his works. …”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…When Ernest Gaines chooses a woman as the individual subject for collective memorialization and the ideal medium of racial memory in his 1971 novel, The Autobiography of Miss Jane Pittman, he participates in a significant but overlooked genre of black masculine discourse, the composition of black authorship as historical/national authority through the voice and viewpoint of a female protagonist. …”
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