Factors Influencing Digital Text Creation Skills in Dance-Related Higher Education by Ágota Tongori, Anita Lanszki, Réka Asztalos

“… This study investigates the factors influencing digital text creation skills among dance students in higher education. …”
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Creating, framing, reflecting—dance as embodied reflective practice in professional development for physical education teachers by Tina M. Schwender, Helena Rudi, Susanne Stortz

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Využívanie folklórnych motívov v súčasnom tanci by Denisa Benčaťová

“…When speaking about folklorism, we consider this topic to be a new one because the basics of the research concern folk dance presented in a different dance style and processed in other than its “own stylized” environment.…”
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LIFE WRITING AS RESEARCH CREATION: THE PROJECT DRIFTING, PHUKET TRILOGY 21/22 by Biliana VASSILEVA

“… Life Writing as Research Creation: the Project Drifting, Phuket Trilogy 21/22. …”
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Research of organisation specifics of shooting process in the creation of an audiovisual product by Yu. V. Vorontsova, A. Yu. Mazur

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The Transformation Form of Begawai Dance in the Cooking Ceremony Phenomenon at Gawai Ceremony of Talang Mamak by Rian Indrasanjaya, Kasiyan

“…In the ceremony, the phenomenon of women’s cooking inspired a dance work entitled “Begawai.” Unfortunately, the creative process transformed cultural practices into dance, resulting in the loss of their original cultural identity. …”
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“Choreographing Empathy” in <i>Walking Miracles</i>, an Original Dance/Theater Work Created from Stories Told by Six Adult Survivors of Child Sexual Abuse by Barbara Dickinson

“…<i>Walking Miracles</i>, a dance/theater project, was created from the stories of six adult survivors of child sexual abuse and completed due to the conscientious work of many collaborators. …”
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The overall dance of specialised translation by Maria Cecília Basílio

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From Sevilla to Brussels: a Description of the Decision-Making Process from the Researcher's Bodily Experience While Navigating Risks in the Field by Ana Gabriela Hernandez

“…Martin (2019, p.5) explains how ethnographic research is a constantly improvised exercise similar to the one experienced in dance improvisation: “Like improvisation in dance, improvisation in an ethnographic encounter often means that there is a structure, task or idea motivating actions, it is not entirely random, but within the frame created there are many possibilities about how events might unfold.” …”
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Philosophical manifestation in dance: bridging movement and thought by Feifan Wang

“…By fortifying the bond between dance and philosophy, this study aims to foster a more comprehensive understanding of dance, encouraging a more thoughtful and innovative approach to dance creation and providing a robust theoretical foundation for future explorations in both dance and philosophical studies. …”
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Harnessing generative neural networks to fuse traditional Tujia Baishou dance with contemporary choreography: Enhancing creativity and aesthetic experience in dance students by Qiang Ma

“…These findings may be valuable for choreographers and dance instructors considering the integration of AI technologies to enhance the choreography creation process.…”
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Folk Dance Education Based on Structural Analysis in Hungary by Henrik Kovács

“… The paper describes the characteristics features of a definite dance motif from Hungary, presents the framework for its re-creation used during teaching and shows the educational process. …”
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Real-Time Recognition of Korean Traditional Dance Movements Using BlazePose and a Metadata-Enhanced Framework by Hae Sun Kim

“…Third, the BlazePose model was applied to generate real-time skeletal key points, which were integrated with the metadata-enhanced dataset and processed using a customized approach to recognize dance movements in real time. …”
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Staging Statecraft: Dance Festivals and Cultural Representations in Konark, Odisha, India by Mihika Banerjee

“…The following explores the interrelationship between the modern space of the temple monument and the modern format of festival dances in Konark. The festival project juxtaposes the monument’s archaeological value with the dances’ cultural value in choreographic neatness, which requires a critical interrogation to determine the negotiations, appropriations, and discomfort these processes otherwise entail. …”
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Ethical Relationality in Dance Rehearsal Spaces: A Case Study of Mizu No Eki by Melanie I Stuckey, Peter Farbridge

“…It requires a flexible, collaborative approach with shared power and shared responsibility for each other, the engagement of all participants in the process, and the work created. Through a case study of a wordless theatrical dance performance, we give a concrete example of how an ethical relationality approach could facilitate open and courageous creative processes, acknowledging the various factors of oppression and omission to which the performing arts are subject.…”
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RE-CORDIS. Memory and Emotion Behind bards. Trauma. Art therapy & Dance therapy. Mental health in prison (First Part) by Ruth Miras-Ruiz

“…The main objective of the project is: to provide a safe and secure therapeutic space, which allows new relational experiences and emotional exploration through movement and artistic creation and that contribute to mitigate the effects of psychic trauma, through the creative processes. …”
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Co-creating transdisciplinary place-responsive pedagogy: attuning to place and edu-crafting speculative higher education by Tamara de Groot, Abe Arenberg, Maria Fountoulaki, Lara Szymanski Canaro

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Remettre en acte des extraits d’ethnographie by Marie Mazzella di Bosco

“…Among other benefits, the process of re-enactment brings to the fore a set of knowledge and know-how incorporated by the ethnographer, which goes beyond the field notebooks and other collected materials. …”
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Écrire les gestes collectifs : les journaux du P. O. S. by Marina Ledrein

“…As an artist and researcher belonging to the collective MOUVEMENT(s) which was created by and is composed of the users and caregivers of the Robert Ballanger psychiatric hospital in Aulnay-sous-Bois (93), I would like to question the possibilities of a collective development of research and the process of sharing methods to engage a co-production of knowledge. …”
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The Physicality of Writing in Paul Auster’s White Spaces and Winter Journal by François Hugonnier

“…Auster suddenly realized that literary creation springs from physical commands rather than intellectual ones. …”
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