Unknown Composer of the East Slavic Baroque Kaplinsky and His Easter Concert by Irina V. Gerasimova

“…In general terms, the composition is close to a special form that arose in the Western European spiritual concerto tradition known as the “dialogue,” which became widespread in the works of the masters of the early Baroque. The score of Kaplinsky’s concerto, as compiled on the basis of its two editions, is published for the first time in the Appendix to the article. …”
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The Fuente de la Sábana and the baroque stage of the suburban villa El Bosque de Béjar by José Muñoz Domínguez

“…Most of the studies published on the suburban village El Bosque de Béjar (Salamanca) focus on its Renaissance period, when it was created by Duke Francisco de Zúñiga y Sotomayor, leaving in the background the contributions of other later dukes. …”
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Don Fernand de Tolede de Mme d’Aulnoy : un récit de voyage au romanesque baroque by Marie-Agnès Thirard

“…Indeed, in 1697and 1698, at the same time as Charles Perrault, she published two collections of fairy tales, much in fashion towards the end of the 17th century, and intended for well-read and cultured adults, the “Mondains” who lived in the orbit of the court. …”
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Baroque et maniérisme : pertinence d’une approche par les arts visuels ? L’itinéraire de Jean Rousset by Jean-Pierre Maquerlot

“…Looking afresh at the method followed by J.Rousset in his pioneering book published in 1954, one realizes that he too had tried – thought unavowedly – to minimize the role of the fine arts in establishing the criteria of the baroque work in literature and drama; with the result that a fully satisfying definition of the baroque style was not reached until 1958, after Rousset had overcome his reluctance to learn first from Bernini’s fountain at the Piazza Navona before turning to literature. …”
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Peter Thule Kristensen (red.), Lauritz de Thurah - Barokkens arkitektur og verdensbillede (København: Strandberg, 2023). 432 s. by Klaus Højbjerg

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Ancient inspirations in the figural sculpture of Georg Leonhard Weber (1672–1739) by Artur Kolbiarz

“…The influence of ancient artistic traditions on Baroque artists was not uniform across Europe and depended on many factors. …”
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Wokół medalu biskupa Andrzeja Trzebickiego by Krzysztof J. Czyżewski, Marek Walczak

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Tres perfiles de una posteridad by Edgardo Dobry

“…Lastly, the attempts to revive the unspecific “myth” of the “poétesse maudite”, in some of the latest books that have been published about her life and work.…”
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STYLISTIC ORIGINALITY OF SPENSER’S EPITHALAMION AND ITS REFLECTION IN RUSSIAN AND CHINEESE TRANSLATIONS by I.I. Burova, Z. Zhang

“…A number of papers published in recent decades have revealed the picturesqueness and musicality of the poem seeing Epithalamion as a work bearing typical characteristics of the poet’s idiostyle. …”
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Une vie de saint Benoît à la mode toulousaine : Le Dret cami del Cél (1659) de Bernard Grimaud by Jean-François Courouau

“…The biographical account contains vast scenes of a very baroque aesthetic that today might be described as burlesque. …”
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Оn a Poem by Johann Gottfried Gregory by Marianna V. Kaplun

“…The text of the poem in German was first published by Nikolai Petrovich Likhachev in his book Friendly Aliens in the 18 th century Russia (1898). …”
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ПСИХОЛОГИЧЕСКИЕ АСПЕКТЫ ОБРАЗА ТИМАНТА В МУЗЫКАЛЬНОЙ ДРАМЕ «ДЕМОФОНТ» ПЬЕТРО МЕТАСТАЗИО by Литневская А.В.

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Intracranial atherosclerotic stenosis in Asia: a systematic scoping and rapid review of prevalence, frequency in ischaemic stroke and risk factors by Robert N Gan, Johnny K Lokin, Romulo U Esagunde, Jose C Navarro, Bonifacio Pedregosa, Monique Therese S Punsalan, Gabriel Alejandro B Baroque, Maria Socorro F Sarfati, Maria Teresa A Cañete, Anna Marie Sage-Nolido, John Harold B Hiyadan, Laurence Kristoffer J Batino, Maria Lutgarda M Dorado

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Une comedia espagnole du Siècle d’Or : El conde de Sex de Antonio Coello y Ochoa (éd. princeps : 1638) by Marc Zuili

“…This study, after an introduction to the life and works of Coello, outlines the history of the text of the play, from the manuscript versions to the most recent published editions, and then reflects on the passage from history to fiction as it was accomplished by Coello in the context of seventeenth-century Spanish baroque drama. …”
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Sur la retraduction de Virgile en Angleterre au XVIIe siècle : les enjeux politiques et esthétiques de l'Enéide de John Ogilby (1654) by Marie-Alice Belle

“…Immediately acclaimed as the fairest volume ever produced by the English press, the illustrated English edition of Virgil’s works published in 1654 by the Royalist translator John Ogilby stands at the apex of an unprecedented movement of retranslation of Virgil’s œuvre in England. …”
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Ukrainian Social Elite in Pylyp Orlyk’s Lliterary Works by Larysa Lytvyn

“…The principal focus of the article is the determination of the circle of Ukrainian elite representatives and the examination of the means of their image features, that are used by the prominent Ukrainian hetman in exile as well as baroque literator Pylyp Orlyk. His poetry collections "Ruthenian Alcide" and "Sarmatian Hippomenes", in addition to several insignificant eulogies, which were published in the course of the "Mazepian era", united the military, religious and cultural elites around the hetman. …”
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Fiodor Dostoïevski traducteur de Balzac : vers la révélation d’un futur talent littéraire by Lilia Androsenko

“…Published in January 1844, while Dostoevsky was not yet a famous writer, the first translation of Balzac’s Eugénie Grandet into Russian presents itself as an essay where the act of translating is interwoven with that of writing. …”
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