A SUCCINCT VIEW ON ART MUSIC IN THE UNITED STATES OF AMERICA DURING THE 1980s by Tudor FERARU

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SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

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WHERE TWO WORLDS MEET: LIGETI AND ROMANIAN FOLK MUSIC by Bianca Ţiplea TEMEŞ

“… It is hard to grasp how a composer acknowledged as a symbol of the 20th century musical avant-garde, re-formed in the laboratory of electronic music in Cologne at the end of the 1950s and always eager to take on fresh stylistical challenges, resorted to folk music as a source of inspiration. …”
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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

“…The study focuses on the unconventional performance techniques that singularize this particular work. As a musical-theatrical composition, “Black Angels” reflects the spirit of American avant-garde, while at the same time representing an artistic manifest against war and terror. …”
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