Missing pieces in the story of a caterpillar fungus — Ophiocordyceps sinensis by Siran Liang

“…All these are also part of the production story.…”
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Past Times and Our Times: Reading Our Mutual Friend by David Paroissien

“…Stories ‘kept him, many times, from what did him real harm,’ she reveals to Louisa Gradgrind, defying the ruling ethic of Stone Lodge never to wonder. …”
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Le Tigre, le Louvre et l’échange de connaissances archéologiques visuelles entre la France et la Grande-Bretagne aux alentours de 1850 by Mirjam Brusius

“…Not only did objects and images wonder between the two countries, but also new visual recording techniques such as photography, which were not necessarily deployed in the country of their « origin », but across the channel (Manche).…”
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L’autobiographie ou l’art de la vie dans A Small Boy and Others de Henry James by Thomas Constantinesco, Agnès Derail

“…Although Henry James always maintained that “it is art that makes life,” he did start writing his autobiography in the last years of his life, telling the story of his calling as a writer under cover of paying tribute to his brother William’s genius. …”
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Reading and (not) seeing? by Sandra Saayman

“…An exception is a short story entitled “Paris.” This article will study the manner in which the narrative is suspended due to the inclusion — or intrusion — of a furtive description of an existing etching. …”
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Reverent Induction: Epistemology and the Romantic Education of the Child Reader in Charles Kingsley’s The Water-Babies (1863) by Laura H. Clarke

“…Like the Romantics, Kingsley believed that the wonder and imagination of childhood were essential for fostering what he called ‘reverent induction’—the ability to see in each process of inductive reasoning the unfolding of God’s plan for human perception. …”
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La Chapelle : un lieu de mémoire pour la diaspora tamoule ?   by Anthony Goreau-Ponceaud

“…From the analysis of an ethnic district - "la Chapelle", located between the 10th and 18th arrondissements of Paris - I want to highlight the processes of semiotisation and appropriation of the space used by Tamil migrants from Northern Sri Lanka, while wondering about the symbolic apparatus used by these migrants to make this space familiar. …”
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