MADONNA’S FOUR-DECADE INFLUENCE: BRAND STRATEGY AND GLOBAL IMPACT OF THE CELEBRATION TOUR RIO DE JANEIRO by Pedro BELTRÁN CUERVO, Cecilia VALLEJOS PARÁS

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Construction prosodique de la violence chez Métal Urbain : l’exemple du 45 tours Paris Maquis (1977) by Olivier Migliore

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Sakha Music: Selling 'Exotic' Europeanness in Asia and Asianness in Europe by Aimar Ventsel

“…When touring abroad, the music and performances have changed over time depending on the region. …”
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How Destination Image Building Tourists’ Immersive Experience for Online Tour and Stimulate the Intention to Visit in Person by Wei Sun, Liwei Li, Yidong Liu, Fengyuan Sun, Ya Zhu

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Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior by Luiza Bittencourt

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¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) by Javier Rodríguez Aedo

“…With a gap of a few years, popular and folk musicians from Latin America tried to meet other audiences, developing international tours and a musical work closely related to musical diplomacy. …”
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What if writing rock history was also writing with “ifs”? Or how Lester Bangs liked playing a trick on his reader’s perception of time by Maud Berthomier

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« Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini,... by Céline Frigau Manning

“…Luigi Morando De Rizzoni’s fictional dialogue La Pasta nell’Otello was published in Verona following Giuditta Pasta’s tour of northern Italy during the winter of 1829-1830. …”
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«The exhibition opened in a doubly non-random place...» by Yu. Z. Kantor

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The German Days of Dora Pejačević by Domagoj Marić

“…(The question primarily refers to Dresden, since Munich was still a bigger musical centre. After all, in the same period as Dora Pejačević, the Croatian composer Krsto Odak studied in Munich, but there are no known contacts between them.) …”
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Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) by Johanna Hartmann

“…In 2016, Beyoncé published Lemonade, a work of art that exists in various manifestations: as a music album that includes twelve songs, as live performances (including her world tour and her appearance at the Superbowl halftime show), and as a “visual album,” an art film that consists of the music video clips for each individual song and visually and auditorily complex “chapters” which feature the poetry by Warsan Shire. …”
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Jenny Lind. Of Echoes and Traces by Anne Harley, Andrea Zittlau

“…In September 1850, the celebrated soprano Jenny Lind, better known as the Swedish Nightingale, arrived in the United States for what would be her last major musical tour. Her wild success in the young nation was built upon an advertising campaign by Phineas Taylor Barnum that leveraged her talent and various aspects of her identity. …”
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L’ethnomusicologie française et le folk revival américain by Roger Mason

“…Finally, it discusses the consequences of this mission in France, with the organization of a tour by the Balfa Brothers that contributed to greater recognition of traditional Cajun music in academic circles and to a lasting popularization of the styles and repertoires.…”
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Too much fighting on the dance floor : retour sur une époque troublée au travers du Ghost Town des Specials by Gildas Lescop

“…Hailed by the music press for the pertinence of his social comment, “Ghost Town” will mark the end of an era and will remain as the musical testimony of a troubled period.…”
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Ronnie James Dio: the man on the silver mountain by Joe Weber

“…In 1957 he began what became a fifty three-year career in music career. In 1960 he began singing under the name Ronnie Dio, and then Ronnie James Dio. …”
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From Dickens’s Theatrical Performance to Contemporary post Dickensian Narrative and Artistic Performance (Acker, Ackroyd, Waters and Rushdie) by Georges Letissier

“…With English Music, Ackroyd, for his part, illustrates what Clayton in his study: Charles Dickens in Cyberspace (2003) calls “undisciplined” creativity, by revisiting Great Expectations trans-artistically, through an odd combination of the pictorial, the musical, the cinematographic and the theatrical. …”
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Tower d’Alun Hoddinott, ou la tentative de créer un opéra populaire by Jean-Philippe Heberlé

“…The project of this opera was launched by Opera Box, a mid-scale touring opera company, whose main purpose is to make opera popular through performances of famous works and workshops. …”
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From Book to Playlist: How Open-Access Audio Archives are Renewing the Poetry Collection by Abigail Lang

“…Moreover, Zukofsky’s Fall 1972 readings foreground the curatorial role played by his wife, Celia Zukofsky. By setting to music her selections from her husband’s work, she offers two artistically complex textual realizations of a game-changing affordance of sound-recording technologies since the 1963 invention of the audio cassette – i.e. the possibility to anthologize on the receiving end. …”
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