De l’image avant toute chose : mémoires et mythes pour les Espagnes en exil de 1939 by José María Naharro-Calderón

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The Spanish Latin lover: a strictly domestic myth? by Alicia Fuentes Vega

“…The character of the Mediterranean Latin lover became increasingly popular in late-Francoism Spain owing to a subgenre of films that exploited masculine phantasies of sexual encounters with foreign tourists. …”
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From the Road Movie to Wilderness Travel: The Quest for Adventure on the Road and the Myth of the Heroic Traveller by Pascale Argod

“…These films mark a generation of travel diarists in search of the dream and anti-travel. …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…Of modest ambition, generally short, made with what was at hand by evacuated film-makers, these movies appealed to the local myths and to the major figures of the national pantheon. …”
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Au fil du temps (1976) ou la loi du seuil by Isabelle Singer

“…By choosing to live in a truck, the heroes of Kings of the Road, a Wim Wenders film of 1976, have an exceptional experience of the threshold. …”
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Tuo Dolphins by Rolf Erik Scott, Peter Ian Crawford

“…The villagers decided to re-enact part of their Dolphin story to capture it on film, thereby using the film, and its crew, to both present and confirm the truthfulness of the legend and myth.   …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“…The study of signals and myths in this research aims to bridge the gap between the established framework and other audio-visual media. …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“…The study of signals and myths in this research aims to bridge the gap between the established framework and other audio-visual media. …”
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Du road movie au « voyage sauvage » : la quête d’aventure sur la route et le mythe du voyageur héroïque by Pascale Argod

“…Ce dernier se décline comme une écriture de soi ou un film autobiographique sur l’expérience du déplacement, parfois « biopic » ; nous élargissons ainsi le genre du road movie à la robinsonnade et au film en milieu naturel expérimenté. …”
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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

“…Within the literary text, the journey serves as a metaphor for dispossession, whereas in the film, the motifs of the “road” and “travel” substantiate the film’s alignment with the road movie genre. …”
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Wiews of the nation's memories: A stereotyped vision of the Lithuanian history of the 20th century in Lithuanian documentary films by Rūta Šermukšnytė

“…Due to such thinking of creators of documentary films, they are not very ardent in seeking new material for films in foreign archives of view and sound. …”
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Les codes du factice dans Big Fish de Tim Burton by Anne-Marie Paquet-Deyris

“…Tim Burton’s Big Fish closely mirrors the structure of the initiation tale. The film unfolds as a visual variation on the art of storytelling and on the way it is passed on. …”
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Türk Sinemasında Gazeteci İmgesinin İnşası (1933-1965) by Barışkan Ünal

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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema by Conall Cash

“…The very effort to protect this myth, these films show, amounts to its collapse. …”
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Sud de Chantal Akerman ou une histoire de territoire et de terre : le Sud comme espace de mémoire by Marie Liénard

“…The article examines Chantal Akerman's work Sud (South) filmed in 1999. The Belgian filmmaker had always been fascinated by the Southern part of the United States. …”
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From the Small Screen to the Big Screen: The Super8's Distribution of Sandokan TV series by Nicole Braida

“… ‘From the small screen to the big screen’ proclaims the advertising text of the Super8’s of a television series distributed in 1979 by the German company Piccolo Film, emphasizing the novelty and the potential of format. …”
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Les représentations filmiques de Marie Stuart– Une femme de pouvoir dans l’air du temps by Armel Dubois-Nayt

“…It is therefore only with the three waves of feminism in mind that one can fully comprehend how these films construct gender.…”
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Insight into the Pore Structures and Its Impacts on Movable Fluid in Tight Sandstones by Dazhong Ren, Fu Yang, Rongxi Li, Desheng Zhou, Dengke Liu, Ying Li

“…However, the governing factors that affect the fluid flow features will still be a myth. In our research, the western area of the Sulige gas field was chosen as the research region, and various kinds of experiments were conducted. …”
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Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“…The Yorùbá make no distinction between myth, legend and history. They all come under ìtàn (Ogunsina, 1992). …”
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Salomé, reine d’Angleterre : destins esthétiques de la Salomé d’Oscar Wilde (Aubrey Beardsley, Charles Bryant, Ken Russell) by Tristan Grünberg

“…Porté par l’interprétation tour à tour sensuelle et féroce d’Alla Nazimova, le film oscille entre nostalgie et avant-garde, hanté par les dialogues de Wilde, les décors et les créatures de Beardsley. …”
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