The Mechanics of Fear: Organic Haunted Houses in American Cinema by Anne-Marie Paquet-Deyris

“…It also demonstrates how the outside-the-norm entity is finally not considered exogenous any more but rather endogenous and how it appropriates and somehow tries to incorporate some, if not all, members of the household. In his 1981 film The Entity, Sidney Furie stages Barbara Hershey’s body (Carla Moran) as a vehicle for the revelation process and in their 1982 Poltergeist, Tobe Hooper and Steven Spielberg also use young Heather O’Rourke (Carol Anne Freeling) as a medium in very different kinds of houses, no longer darkened and isolated in some desolate part of the American East Coast but now part of the West Coast urban sprawl. …”
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Application of Virtual Reality Technology and 3D Technology in Game Animation Production by Zehao Wang, Ye Deng, Wenlong Chen

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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

“…In the mid of the surging nationalism after the revolutionary, the western culture had entered and become trend among young people. The cinemas in Jakarta were gaining popularity with the large number of western films (Hollywood). …”
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