Cinema and Identity: Criss-Cross Reflections by Irina S. Semenenko, Vladimir I. Pantin, Elena V. Morozova

“…The paper focuses on how cinema shapes national, civilizational, and political identity and how it fosters civic identity as a driver for social development. …”
Get full text

Self-Sacrifice of a Scientist in Soviet-Russian Cinema by S. M. Medvedeva

“…Nevertheless, it is possible to separate out three periods of picturing of self-sacrifice according to implicit sense of action: 1) period of Stalin’s cinema (1930th-1950th); 2) period of Thaw and Stagnation (1960th-1980th); 3) postsoviet cinema (until now). …”
Get full text

The attitude of Moscow youth to the topic of patriotism in domestic cinema by O. A. Kulikova, A. S. Ryabovicheva

“…To assess the current situation, the authors of the article collected and analyzed youth representatives’ opinions on the topic of patriotism in domestic cinema. The results of the study allow to form an idea of how works of cinematic art can be used for educating citizens and moving the culture forward.…”
Get full text

Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

Get full text

Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger by Xosé Somoza Medina

“…Among the conclusions, we can mention how the cinema shows over time the functional changes of the modern city and that the projected image must have a clear relationship with the sense of place of the filmed city. …”
Get full text

Cinéma et lien : une enquête intime auprès d'une famille italienne en Lorraine by Marion Froger, Émilie Tullio

“…Cross-cultural experiences often shake the foundation of the migrants' values, yet cinema makes it possible to overcome this state of alienation since every film stimulates ethical reflection – and thus the search for justice – by creating a sense of universal solidarity. …”
Get full text

THE PHENOMENON OF AESTHETICAL ANTROPLOGY IN KONTEST OF DEVELOPMENT OF THE UKRAINIAN POETIC CINEMA ФЕНОМЕН ЭСТЕТИЧЕСКОЙ АНТРОПОЛОГИИ В КОНТЕКСТЕ РАЗВИТИЯ УКРАИНСКОГО ПОЭТИЧЕСКОГО КИ... by S. G. Pichenikova

“…In the structure of the poetic cinema aesthetical anthropology will be realized foremost in an author idea, and also by interpretation of cultural sense initiator through the prism of spectator. …”
Get full text

Brava gente brasileira e o “Brasil 500”: o espetáculo do descobrimento by Kátia da Costa Bezerra

Get full text

L’Émergence de l’esthétique photographique par Viollet-le-Duc et Ruskin by Arnaud François

“…The article ends by revealing Frank Lloyd Wright’s and Le Corbusier’s rejection of photographic aesthetics of the 19th century in the name of a new vision, this time unconsciously structured by cinema.…”
Get full text

Film Industry at the Service of EU Identity Politics by E. V. Khakhalkina, A. V. Vyachistaya

“…Specifically, it examines the significance of Brussels' efforts to cultivate a robust film industry as part of the European Union's strategy for constructing a collective identity.The authors test the hypothesis that cinema serves as a medium for fostering a sense of belonging and emotional connection among EU citizens. …”
Get full text

The Architectural Photomontages of Piero Bottoni by Fabio Colonnese

“…In this sense, the analysis of some of his photomontages, which are today preserved in the Archivio Piero Bottoni (APB) at the Milan Polytechnic, reveals both his intent to introduce an anti-academic, ironic and realistic language, as well as the importance of cinema as an original source for architectural communication. …”
Get full text

Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…The forms of wounded subjectivity we find there are unable to stitch themselves into the illusory narratives needed to enable them to access a fixed sense of individual or shared identity and enclose them in a subjectivity separated off from all else around. …”
Get full text

Corps sensible, environnement urbain moderniste by Françoise Michel-Jones

“…From the point of view of an anthropology of vision, this article explores the relationship between sensing body and urban environment, particularly the perceptive and cognitive changes that occurred in the West of the 1960s, as fascinatingly depicted by Jacques Tati in a film—Playtime—that became a cinema classic.A master of filmed description and analysis of the typical social gestures and behaviours of the urban middle classes, Jacques Tati offers a film intended as “audio-visual” film “material”, rather than a filmed account of a story centred on a subject. …”
Get full text

Traditional Language with a Flair for Innovation: Hans Florian Zimmer’s Compositional Process by Gabriele

Get full text

Screening A Christmas Carol (Dickens, 1843): Adaptation as Completion by Florent Christol

“…This paper investigates cinema and television’s peculiar ‘love story’ with Charles Dickens’s A Christmas Carol (1843). …”
Get full text

Origen y contenido del cine proyectado con fines educativos hasta 1960 by Laura López Martín

“…Educators have always used images to illustrate their explanations. In this sense, cinema can bring the reality to the students by moving images. …”
Get full text

Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought by Steila Daniela

“…On the basis of some textual evidence, it is possible to describe the epistemologies of the two most influential Russian Marxists at the beginning of the twentieth century using the two metaphors of photography, on the one hand, and cinema, on the other. In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain kind of cinematographic device’. …”
Get full text

Eternity Descending into Time: Badiou and the Cinematic Temporality of Love by Lu Zeng

“…It argues that love has been overlooked in the discourse of the cinematic real and that love should be recuperated in and for cinema so that a version of the cinematic real informed by Badiou’s philosophy can emerge. …”
Get full text

Estação Carandiru e o mundo construído pelas formas de nomeação by Maria Aparecida Silva Ribeiro

“…Joined by the set of texts whose authors are mostly beginners and which comprises also Cidade de Deus by Paulo Lins, Pavilhão Nove by Hosmany Ramos and Capão Pecado by Ferréz, among others, the novel presents a urban reality, contemporary, realistic and violent according to the common sense that guided their reports. These stories, before assuming novelistic format, had circulated only as journalistic fact, several of them having been subsequently adapted for the cinema. …”
Get full text