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    De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane by Solange Ayache

    Published 2013-07-01
    “…Dramatic experiments with the voice in the theatres of Martin Crimp (Attempts on Her Life, 1997; Fewer Emergencies, 2005) and Sarah Kane (Crave, 1998; 4.48 Psychosis, 2000) fall within the scope of a post-Beckettian quest for new formal constraints for the text and the stage. …”
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