Le cinéma américain : un impérialisme culturel ? by Nathalie Dupont

“…It is not a new trend and it is true that the American studios have always tried to have the biggest market share in all the countries showing their films. …”
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‛Other Books Like Rebecca? Are There Any?’: The Singular Fate of a Novel by Xavier Lachazette

“…Du Maurier’s surprisingly unperceptive assessment of her own work will then be studied, both before its publication and after it became a runaway bestseller. Finally, we will have a look at some of the critical attention it has recently received, in the press and in academic articles, to show that assessing or categorising Rebecca has always been a contentious issue, not just for its author but also for critics at large.…”
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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western by Julie Assouly

“…Dishonest preachers, traveling salesmen or runaway prisoners have replaced cowboys and bounty hunters in the Coens’ Southern films, but their whereabouts are always used as a pretext to discover American regionalisms. …”
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