Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto by Eduardo Valls Oyarzun

“…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. …”
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Translating French Drama for English Audiences: Adolphe Belot’s L’Article 47 by Barbara T. Cooper

“…What, if anything, can we learn about English cultural and racial stereotypes from the reviews of this sensational drama? These are some of the questions this essay will seek to answer.…”
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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton by Ana Fernández-Caparrós Turina

“…In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collaboration of renowned novelist Edward Bulwer-Lytton and actor and theatrical manager William Charles Macready would prove to be decisive in shaping early Victorian drama and setting high standards in production and artistic integrity, which would be followed by successive managers. …”
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The Poetics of Second Liberation by Vincent R. Ogoti

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The Renewal of the Twenty Years in Theater: Revisions Based on The Danton Case by Stanisława Przybyszewska from 2008 by Katarzyna Fazan

“… The article results from the author’s participation in a project proposing interdisciplinary perspectives on contemporary revisions of the interwar period (1918–1939), including the interwar period in theater. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

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Çocukların Empati Becerilerinin Geliştirilmesine Yönelik Okul Öncesi Öğretmenlerinin Görüşleri, Uygulamaları, İhtiyaçları ve İstekleri by Aysel Esen Çoban, Selda Ata Doğan

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Reproductive Politics and Parental Economies in Titus Andronicus by Burzyńska Katarzyna

“…Tamora, Queen of the Goths in Shakespeare’s Titus Andronicus (1594), belongs to a relatively substantial canon of pregnant characters in English early modern drama. Her pregnant embodiment has generated less critical interest than the pregnancies and maternities of later tragic heroines. …”
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Investigating Students’ Academic Self-Efficacy in Play Performance Class by Thomas Wahyu Prabowo Mukti, Veronica Triprihatmini

“… Play Performance class at the English Language Education Study Program of Sanata Dharma University is designed to introduce students to fundamental concepts of drama and elaborate underlying principles of drama performance that come into play. …”
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The Auto/biographical Nature of Ukrainian Women’s Literature on the War in Donbas by Anna Gaidash

“…The goal of the study is to analyze how auto/biographical narratives employ actualization of life, leading to the fictionalization of drama and prose texts, which results in heterobiography or synthesis of auto/biographical narratives with heterobiographies. …”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

“…Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. …”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…In a first period of his theatrical works, inspired by Irish legends, Yeats endorses the myth of an oral tradition of the Irish people, for which his theatre becomes the speaker. …”
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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

“…The development of theatrical arts in China represents a complex and multifaceted process that has undergone various stages of evolution and transformation. From the early period of the Song Dynasty, when theatrical forms were just beginning to take shape, to the flourishing of zaju drama during the Yuan era, Chinese theater has undergone significant cultural and political changes. …”
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Unveiling farmers’ perceptions: a citizen science and machine learning approach to exploring drivers in the adequacy and fairness of water systems by Vasilios Plakandaras, Fahad Khan Khadim, Vassiliki Kazana, Emmanouil Anagnostou, Amvrossios C Bagtzoglou

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Breaking the Frame: Arabesque and Metric Complexity in the Sunrise Scene from Ravel’s Daphnis et Chloé (1912) by Gurminder Kaur Bhogal

“…In so doing, this gesture indicates Ravel’s vibrant conception of the metric hierarchy and its inter-relationships, while promoting a vital convergence of meter, musical form, and drama.…”
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