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L’important n’est pas la destination, mais les seuils que l’on franchit. L’exemple des mondes possibles dans Fringe
Published 2022-06-01“…It is this notion and its use in science fiction series that this article explores. All TV series serialize the thresholds of fiction, since the spectator enters and leaves the fictional universe each week to go back to his empirical world, but science-fiction series stand out in that they thematize and formalize them, using among other devices « mises en abyme ». …”
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Self-translation as re-creation: The incipit of a fantasy novel in French (original language) and English
Published 2022-12-01“…I hope to write as a doctoral student in ‘Pratiques et théories de la création littéraire et artistique’ at Aix-Marseille University.It is my project to translate this choral novel, the first volume of Sublimes, and thus rewrite it benefiting from the freedom afforded by self-translation, within the framework provided by the doctoral school or as an autonomous work.The trilogy, entitled Sublimes in French and English, shows two parallel worlds: Earth in 2082, a rather dystopian take on our near future, and Arcadia, a fantasy world where magic once reigned but has long since disappeared. …”
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Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art
Published 2024-12-01Get full text
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L’âme des machines dans The Ghost in the Shell
Published 2017-11-01“…Numerous Ghost in the Shell adaptations in the media mix environment underscore the partial failure of Shirow’s initial project, each creator giving his version of the diegetic world and developing incompatible parallel universes. But they have a similar pattern to the reference intermedia even invent a work cited.…”
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Illuminating the Chaos and Obscurity: Polyphony in Fyodor Dostoevsky and Elena Ferrante
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The territory into architecture. Big scale and agriculture in Italian Architecture, 1966-1978
Published 2020-06-01Get full text
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