La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…In the wake of other adaptations of La Tentation de saint Antoine, performed in the Chat Noir and L’Auberge du Clou shadow theatres, Satie composed Uspud, ballet chrétien en trois actes, of which, together with Contamine de Latour, he also wrote the booklet. …”
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O a(u)tor e suas "interversões" em Retrato desnatural, de Evando Nascimento by Fabíola Padilha

“…The copious "mes" that integrate the manufacturing of the self-portrait, vestiges left by the other in the self, compose an exact image of his innate movability - pantomimes of the author/actor exhibiting multiple interversions, redefining the task of self-reengen- dering through writing, by postulating that "everything then are daily fictions, that is, infictions, slips, rollings of an I and its others. …”
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Parodies de dandies : travestissement et transgression des genres au music-hall by Catherine Rovera

“…This paper will focus on those protean artists known as male impersonators, as they depart in many respects from their male predecessors, the lions comiques, who used to mock London’s bohemian upper classes in a crude yet gentle way. …”
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