OPERA AND ITALIAN IDENTITY: THE LONG VIEW by Stefano CASTELVECCHI

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LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES by Otilia Maria CONSTANTINIU

“… The central idea of this study concerns the national identity in the operas of the Romanian composers from Transylvania during the interwar decades when Romanian intellectuality was concerned with the definition and redefinition of the culture of a recently made geopolitical entity and with the protection of this national „being” from protesters. …”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

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Soft Power and Stress: The Health Impacts of Indonesian Soap Operas on Malaysian Millennials by Rangga Cipta Perdana, Ernida Kadir, Genta Iverstika Gempita

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Isidingo as entertainment-education by Nadia van der Merwe

“…In recent decades, various developmental, educational and other socially useful messages have often been included in the content of soap operas (Mody, 1991). The producers of South African soap opera Isidingo are acutely aware of their social responsibility and therefore attempt to make a contribution towards social change and nation building. …”
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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

“…I. Glagolev, and in the study of the activities of Italian opera foundations and museums, which had not previously been sufficiently covered in the Russian and foreign literature. …”
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Retrieving, Translating, and Archiving, Hubert Ogunde’s Aye by Adedoyin Aguoru

“…This paper is divided into five parts: An introduction to the Opera of the Alarinjo School, a synopsis of the opera, Ayé, by Hubert Ogunde, the Translation of the Text of Ayé, the full text of Ayé as produced by Hubert Ogunde in his earliest performance of the opera on stage and a few pictures from the stage performance of Ayé. …”
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