Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

“…By taking a closer look at Canada’s first Indigenous Theatre company, Native Earth Performing Arts, which is based in Toronto, as well as analyzing two fundamental texts, Drew Hayden Taylor’s (Curve Lake First Nations) Toronto at Dreamer’s Rock and Daniel David Moses’ (Delaware/Tuscarora) Almighty Voice and His Wife, this paper will trace the common themes in these two texts that were prevalent in the work of this time, as well as unpack the connection these plays have to place, specifically in their relation to Toronto and the Indigenous Theatre scene there.…”
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A Brief Survey of Gender Parity in the Theatre Industry by Yeliz Biber Vangölü, Florentina Gümüş

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Une réécriture amérindienne du théâtre de Shakespeare : Hamlet-le-Malécite by Françoise Besson

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‘What a perennial delight is in hearing the French language spoken!’: Class, Language and Taste in the Maison de Molière’s French Performances in London (1871–1893) by Ignacio Ramos Gay

“…The responses of theatre professionals inevitably raise the matter of high art by implicitly questioning which of the two theatrical traditions best reflect and recreate, through their language, such cultural standards: How is a language stylized to answer simultaneously to dramatic conventions and to expectations related to national sentiment? …”
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The Threat from European Missile Defence System to Russian National Security by A. I. Podberezkin, J. Y. Parshkova

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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

“… This article explores the conflated roles of translator and playwright embodied by Kuo Pao Kun (1939-2002), a doyen figure acclaimed as the embodiment of Singapore’s contemporary theatre. As a Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically Chinese art activist. …”
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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle) by Jean-François Courouau

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Debates on the Role of the US Theatre Missile Defense in Regional Deterrence of Russia and China by O. O. Krivolapov

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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

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Avoir-lieu ? : quelques expériences théâtrales de la scène britannique contemporaine by Jeanne Schaaf, Julien Alliot

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The Renewal of the Twenty Years in Theater: Revisions Based on The Danton Case by Stanisława Przybyszewska from 2008 by Katarzyna Fazan

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HERDSMEN AND FARMERS CLASHES IN NORTH CENTRAL NIGERIA: NATIONAL SECURITY IMPLICATIONS by ANGELA AJODO-ADEBANJOKO, ROSEMARY IJEOMA NWOFOR

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The French Actor on the London Stage: Charles Fechter by Catherine Quirk

“…Others either dismissed the accent and mannerisms altogether, ignoring Fechter’s nationality to assess both positively and negatively his basic skills as an actor, or saw the particularly French aspects of his representations as adding to the actor’s broader appeal. …”
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從「無感」到「五感」的環境意識啟蒙：特定場域劇場教學之批判教育學實踐 From “Indifference” to Environmental Conscientization Through Critical Sensory Pedagogy: A Critical Pedagogy Praxis in a University Site-Specifi... by 藍貝芝 Betsy Lan, 楊佳羚 Chia-Ling Yang

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“We are Performance Philosophy Problems” by Janet Gibson, Kate Maguire-Rosier, Tony McCaffrey

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Empirical insights into traditional and AI-enhanced interactive narratives based on children’s fables by Świerczyńska-Kaczor Urszula

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Market of the Russian avant-garde painting: investment potential and characteristics of auctioning by D. L. Morozova

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3D Simulation Design and Application of Traditional Hanfu Based on Internet of Things by Li Lin, Wen Gan

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Entretien avec Claude Yersin, Alain Libolt et Christian Cloarec by Jean-Michel Déprats

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Retrieving, Translating, and Archiving, Hubert Ogunde’s Aye by Adedoyin Aguoru

“…The preservation of this national theatrical form through translations and storing it in a retrievable format will enhance the preservation of this national treasure. …”
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