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    Embodied performances of (post-)indenture: Creolization of Indian dance, music and nadrons in Guadeloupe by Sandrine Soukaï

    Published 2024-11-01
    “…Drawing on still underdeveloped scholarship on Indianité , theories of creolization, studies on embodied memory of past trauma, I analyze how the descendants of Indian indentured labourers reconstruct and transmit the heritage and memory of indenture in Guadeloupe through embodied performances of Indian dance, music and, in particular, the danced and sung theatre known as nadrons (from Tamil nādagam ), formerly staged on plantations. …”
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    70 anos da guerreira: a mestiçagem brasileira na tradução musical de Clara Nunes by Expedito Leandro Silva

    Published 2014-01-01
    “…However, the cries of the people and the musical manifestation reproduced in the songs present an ideology of nationhood whose identity is the Brazilian miscegenation which means the cultures of the native Indians, the white and the black people.…”
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    Las músicas amerindias del Chaco argentino entre la hibridación y la exotización by Silvia Citro, Soledad Torres Agüero

    Published 2015-12-01
    “…The hypothesis is that this musical piece evidences the political strategy of the provincial government for legitimating the imaginary of a « multicultural identity » that revalorizes the Chaco Indians, responding in this way to demands of multiculturalism and patrimonialization of national and global policies. …”
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    “Helt Texas, Morgan Kane!”: Notes on the Pedagogies of Finding, Documenting, and Teaching the American West in Norwegian Backyards by Stefan Rabitsch

    Published 2024-12-01
    “…For example, the students’ findings included but were not limited to country-specific (re)imaginings of the mythic West in different media, heterotopic spaces of performance, play, consumption and the hyperreal, instances of ‘playing Indian,’ iconographic scatterings, cowboy/Western poetics in music, and more. …”
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