Transformative Movie Discovery: Large Language Models for Recommendation and Genre Prediction by Subham Raj, Anurag Sharma, Sriparna Saha, Brijraj Singh, Niranjan Pedanekar

“…In the era of digital streaming platforms, personalized movie recommendations, and genre prediction have become pivotal for enhancing user engagement and satisfaction. …”
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L’esquisse du genre by Simon Massei

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Genre and Translation Style in Chinese Translation of Hollywood Blockbuster Movie Titles in Mainland China and Hong Kong by Xin Yi Wong, Mansour Amini, Maryam Alipour

Subjects: “…China, Chinese, Movie Genres, Hollywood, Hong Kong, Movie Titles, Translation…”
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Genre and Translation Style in Chinese Translation of Hollywood Blockbuster Movie Titles in Mainland China and Hong Kong by Xin Yi Wong, Mansour Amini, Maryam Alipour

Subjects: “…China, Chinese, Movie Genres, Hollywood, Hong Kong, Movie Titles, Translation…”
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D’un genre mal-aimé : le péplum by Christophe Gauthier

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CONVERSATIONAL IMPLICATURES IN MAGIC REALISM MOVIES – THE GREEN MILE by Gabriel-Dan BĂRBULEȚ

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Beyond the spotlight: Unveiling the gender bias curtain in movie reviews. by Jad Doughman, Wael Khreich

“…Previously, gender biases in movie reviews were computed using disparities in male-led versus female-led movie ratings or box-office earnings; however, no work has been done to quantify the linguistic biases within movie review transcripts. …”
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Transatlantic Refractions: Ambivalence and Cultural Hybridity in the Euro-American Road Movie by Jeffrey L. Meikle

“…This article analyses a variety of ways in which the “road movie” has been reinterpreted by modern European directors (German Wim Wenders, Finn Aki Kaurismäki) or American director Jim Jarmusch with his pronounced European sensibilities. …”
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On the ways of implementing the category of argumentativeness in online English-language movie reviews by O.R. Galiullina, S.I. Dubinin

“…This article discusses how the category of argumentativeness is employed in online movie reviews written in English. The objectives of the study were to consider the concepts of argumentation and argumentativeness, to define the categories of argumentativeness and evaluativeness as the constituents of a movie review, as well as to identify the lexical-semantic, stylistic, and structural-syntactic parameters of the argumentative discourse expressed in an online movie review. …”
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How suitable are movie reviews for use as ESL/EFL teaching and reading materials? by Milica Vukovic Stamatovic, Vesna Bratic

“…We conclude that, non-adapted, movie reviews as a genre are only suitable for advanced learners. …”
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Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of Choice in Iraq by Richard Slotkin

“…This study explains the ideological force of Black Hawk Down by framing it as the culmination of developments in American national mythology, and the mass culture genres that carry it. The “Platoon Movie” developed during WW II propagated a new myth of multi-ethnic American nationality, and a “war imaginary” which figures WW II as the “Good War.” …”
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From the Road Movie to Wilderness Travel: The Quest for Adventure on the Road and the Myth of the Heroic Traveller by Pascale Argod

“…We thus extend the road movie genre to robinsonades and films on the experience of a natural environment. …”
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A Movie Recommender System Based on Topic Modeling using Machine Learning Methods by Mojtaba Kordabadi, Amin Nazari, Muharram Mansoorizadeh

“…Existing movie recommender systems use quantitative factors and metadata that lead to less attention being paid to the content of the movies. …”
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“Justice Has a Bad Side”: Figurations of Law and Justice in 21st-Century Superhero Movies by Nicole Maruo-Schröder

“…Hence, the article argues, it is fruitful to read current superhero movies as both reflections of and comments on the post-9/11 legal and political landscape characterized by an ongoing state of exception and the resulting suspension of certain laws and civil rights. …”
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Intermedial Practices as Reflections on Media and the Arts. What Do Kinema-Sketches Teach Us about Screenlife Movies? by Izabella Füzi

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Une chambre à soi : genres et corps en art by Luc Schicharin, Anne-Laure Vernet

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Hollywood sur la Lune : les « Scientifilms », les Pulps et l’imaginaire science-fictionnel by Jay P. Telotte

“…This essay examines how the movies, the movie industry, and a movie consciousness filtered into the pulp magazines during sf’s formative, pre-World War II era. …”
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Du road movie au « voyage sauvage » : la quête d’aventure sur la route et le mythe du voyageur héroïque by Pascale Argod

“…Le retour à la nature sauvage comme confrontation culturelle, dépassement de soi et voyage de formation déterminerait le genre carnet de voyage. Ce dernier se décline comme une écriture de soi ou un film autobiographique sur l’expérience du déplacement, parfois « biopic » ; nous élargissons ainsi le genre du road movie à la robinsonnade et au film en milieu naturel expérimenté. …”
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A Review of Understand Film Studies by Ali Sheikhmehdi, Arsalan Moghadas

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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

“…Within the literary text, the journey serves as a metaphor for dispossession, whereas in the film, the motifs of the “road” and “travel” substantiate the film’s alignment with the road movie genre. Ultimately, this article argues that Steinbeck’s novel was instrumental in shaping Hollywood’s enduring fascination with the journey and the road, themes which would later be re-elaborated in the road movie, a cinematic reworking of the road narrative. …”
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