Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic by Françoise Dupeyron-Lafay

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Le fantaterror ou l'âge d'or du cinéma fantastique et d'horreur espagnol sous le franquisme tardif (1968-1976) by Valentin Guermond

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OTHERWORLDLY LANDSCAPES IN THE HISTORIC TEXT TRUYỀN KỲ MẠN LỤC BY NGUYEN DU by Van Hoa Pham

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Security and Privacy in Metaverse: A Comprehensive Survey by Yan Huang, Yi (Joy) Li, Zhipeng Cai

“…This paper first introduces the four characteristics, then the current progress and typical applications of the Metaverse are surveyed and categorized into four economic sectors. …”
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Fractal Newton basins

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Warm Climate Production Guidelines for Echinacea by Rick Schoellhorn, Alexis A. Richardson

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The characters of fairy tales in the children's book illustration: a dragon and a witch by Ingrida Korsakaitė

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Warm Climate Production Guidelines for Echinacea by Rick Schoellhorn, Alexis A. Richardson

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The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion by Julie Gay

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Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories by Élodie Raimbault

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Les codes du factice dans Big Fish de Tim Burton by Anne-Marie Paquet-Deyris

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„Anwärter auf die Hölle“: Stepan Trofimowitsch und die Menippea der Pharisäer by Ruth Karin Lévai

“…Five specific aspects of the Menippea as defined by Bakhtin are employed in the analysis: 1) the absence of epic or tragic distance, with the subject presented on the plane of the present day, 2) the bold and unrestrained use of the fantastic and adventure devoted to a purely ideational and philosophical end, 3) insanity of all sorts, 4) no abstractly philosophical or religiously dogmatic resolution to ultimate questions, rather their embodiment in carnivalistic acts and images, and 5) the creation of an extraordinary plot situation or a provocative anacrisis.…”
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La représentation paradoxale du chemin de fer chez Dickens : fantastique et mythe au service d’une peinture de la modernité dans Dombey and Son (1848) et « No. 1 Branch Line. The S... by Françoise Dupeyron-Lafay

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THE MOTHER GOOSE PIANO SUITE - AN AESTHETIC PARADIGM OF RAVEL’S MUSIC by Attila FODOR

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Monster or Missing Link? The Mermaid and the Victorian Imagination by Béatrice Laurent

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Mia Couto and the enchantment of rain by Myrtle J. Hooper, Isabel B. Rawlins

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ТHE BEGINNING OF THE WORLD ACCORDING TO HESIODS AS THE BIRTH OF PHILOSOPHICAL ONTOLOGY by Ігор ПАВЛЕНКО

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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

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Le Théâtre de la mort de Tadeusz Kantor : un « gué secret » entre les vivants et les morts by Virginie Lachaise

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Searching for the grey zone in Slovak sci-fi literature during the normalisation period by Olha Norba

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