Showing 61 - 80 results of 221 for search 'Director (film)', query time: 0.07s Refine Results
  1. 61

    An analysis of the meaning constructed by woman gaze through cinematic instruments in Yeşim Ustaoğlu’s film Clair Obscur (2016) by Beril Uğuz

    Published 2024-09-01
    “…To this end, the film Clair Obscur (Tereddüt, 2016), directed by Yeşim Ustaoğlu, which focuses on the viewpoints, and experiences of women characters, is examined through textual film analysis with a holistic approach. …”
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  2. 62

    Exploring the Popularity and Acceptability of Indian and South Korean Films among Chinese Audiences: A Survey-Based Analysis by Muhammad Yaqoub, Zhang Jingwu, Wang Haizhou

    Published 2024-12-01
    “…This paper presents a comprehensive analysis of the popularity and acceptability of Indian and South Korean films among Chinese audiences, highlighting the dynamics of film globalization within Mainland China. …”
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  3. 63

    Tindak Tutur Direktif Humanis Langsung dalam Film “Anak Negeri Kisah Masa Kecil Ganjar Pranowo” by Nurlaili Irias Putri, Ida Zulaeha

    Published 2020-11-01
    “…The data source in this research is the film </em><em>“Anak Negeri Kisah Masa Kecil Ganjar Pranowo” by the director Mirwan Arfah. …”
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  4. 64

    Dances with Westerns in Poland’s Borderlands by Piotr Skurowski

    Published 2019-01-01
    “…This article deals with the influence of American Westerns on the work of the Polish film directors who chose to adapt the language of the film Western to construct their narrations about Poland’s postwar borderlands, including the so-called Recovered Territories and the Bieszczady region. …”
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  5. 65

    Fernando Pessoa na Boca do Inferno: Dá a surpresa de ver um filme erótico detetivesco by Medeiros, Ana Clara Magalhães de

    Published 2024-06-01
    “…This work analyzes the film Boca do Inferno (2020) by Portuguese director Luís Porto, focusing on how the film composition articulates: a) the encounter – and its documented outcome – between the poet Fernando Pessoa, the English magician Aleister Crowley, and his young German lover, Hanni Larissa Jaeger, in September 1930, in the city of Lisbon; b) the poem “Dá a surpresa de ser”, which is part of Pessoa’s orthonymic work. …”
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  6. 66

    Linguistic Power in Women\'s Speech; An Exploration of on two films Ida Panahandeh\'s "Nahid" and Narges Abyar\'s "Track 143" [In Persian] by Shaghayegh Mehregan, Foroogh Kazemi, Bahram Modarresi

    Published 2024-08-01
    “…This study investigates the linguistic authority present in women's speech within films directed by two female filmmakers whose gender corresponds with their protagonists. …”
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  7. 67

    Przestrzeń dyskomfortu w filmach Rubena Östlunda by Tomasz Adamski

    Published 2023-11-01
    “…In conclusion, the author also points out that space in the Swedish director’s films can be read allegorically, as a critique of the modern welfare state, or consumer society …”
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  8. 68

    De quel postcolonial parle-t-on ? Intervention divine d’Elia Suleiman by Fabrice Schurmans

    Published 2014-12-01
    “…This essay analyzes Divine Intervention by the Palestinian director Elia Suleiman in order to examine the implications of his chosen aesthetics, the cinema of allusion. …”
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  12. 72

    Kategoria przestrzeni w studiach nad adaptacją. Reprezentacja społecznych peryferii w „Sąsiadach” (Adriana Markowskiego i Grzegorza Królikiewicza) by Robert Birkholc

    Published 2023-11-01
    “…The text that shows the benefits of using these analytical tools are Sąsiady, a collection of short stories by Adrian Markowski, and its film adaptation by Grzegorz Królikiewicz. Creating a representation of people from the social peripheries, the director makes significant changes in relation to the literary text. …”
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  14. 74

    ‘Run, Forrest, run!’ … or not? The Remarkable Migration of Forrest Gump from Winston Groom’s 1986 Novel to Robert Zemeckis’ 1994 Film. by Isabelle ROBLIN

    Published 2015-12-01
    “…In this paper, I shall be concentrating on some of these obvious differences in the characterisation of Forrest without making value judgments on the perceived quality of the film or the novel, but by attempting to find out the reasons why the screenwriter and the director chose that very particular reading.…”
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  15. 75

    Imagen-momia e imagen-ruina: La mise-en-film de las fotografías de los desaparecidos en el documental subjetivo de la posdictadura argentina / Image-mummy and image-ruin. Mise-en-f... by Jordana Blejmar

    Published 2016-11-01
    “…To what extent does the filming of these photographs related to the Argentine past modify and construct the meanings of such images? …”
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  16. 76

    O Mistério da Boca do Inferno: O filme de José de Pina que opõe Pessoa a Crowley by Céu e Silva, João

    Published 2024-06-01
    “…Director José de Pina premiered the film The Mystery of Boca do Inferno in 1989, which explores the tempestuous relationship between poet Fernando Pessoa and magician Aleister Crowley. …”
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  17. 77

    Invisibilidade social a partir do filme “O som ao redor”: uma análise honnethiana das patologias sociais no Brasil by Thiago Aguiar Simim

    Published 2015-01-01
    “…It then analyzes how Honneth draws on works of art to identify social pathologies and subsequently applies this method of analysis to the Brazilian film “Neighboring sounds”, of director Kleber Mendonça Filho. …”
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  18. 78

    Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger by Xosé Somoza Medina

    Published 2022-12-01
    “…The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. …”
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    The conflict between idealism and realism in the cinema of Mohammad Hossein Mahdavian; The analysis of three films “Lottery”, “Rad-e-Khoon”, and “Majaraye Nimrooz” by M. Zaeimzade, P. Amini

    Published 2024-12-01
    “…In this study, three feature films, “Lottery”, “Majaraye Nimirroz [Midday Adventures]”, and “Rad-e Khoon [Trace of Blood]” by Mohammad Hossein Mahdavian, one of the young directors of Iran who have explored this conflict, are examined through an analytical lens influenced by John Fiske methodology. …”
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