The Possibility of Fidelity in Adaptations: The Case of Director Michael Haneke by Alper Keleş

“…This study seeks an answer to the question of whether the content of the novel or the interpretation of the novel content by a director is followed in film adaptations, how clear the boundaries of film narrative and literary narrative are, the reflections of the narrative techniques specific to these media in the two media, how effective the narrative features are at the level of the audience and the reader, and to what extent the audience is provided with the interpretation space allocated at the end of the films. …”
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Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

“…To outline the standard and distinctive features of the director’s approach to making documentaries and fiction films. …”
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A New Solution for the Director Relaxation Problem in Twisted Nematic Film Based on Wavelet Analysis by Aleksey Kudreyko, Nail Migranov

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Gender inequality in the Nordic film industry: Exploring above-the-line positions in film production by Loist Skadi, Ehrich Martha Emilie, Radziwill Sophie, Prommer Elizabeth

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Screen interpretation of Franz Kafka's novel 'The Trial': Interaction of the author with the s­cript writer and film director by K.V. Arjantzeva

“…Pinter and the screen version of the novel by David Hugh Jones, the film director. In accordance with this aim, the work has been conditionally divided into two parts. …”
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Parcours croisés de Dominique Cabrera, cinéaste, et de ses proches collaborateurs. by Adeline Lamberbourg

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Eldorado Revisited: Spanish Film-makers in Reagan’s America by Vicente J. Benet

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The Director–Composer Duo: Polanski & Komeda’s Deconstruction of Film Music Conventions in Horror Cinema.... by Piotr Pomostowski

“…Fearless Vampire Killers and Rosemary’s Baby are cinematic examples of a very close collaboration between a director and a composer. The article deals with the function of music in relation to genre films. …”
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Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s by Fosheim Lund Maria, Kielland Servoll Johanne, Holtar Ingrid Synneva

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Film adaptations of Mikhail Bulgakov’s works: Literary source and its interpretation by Gaponenkov, Aleksei Alekseevich

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Authorial Narratives in the Work of Middle Eastern Directors by Галина Погребняк

“… The purpose of the research is to identify relevant narratives in the work of directors-authors of Middle Eastern cinema and its functioning in the space of international film festivals. …”
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“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

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A pluralidade de Pessoa em filmes de animação e histórias em quadrinhos by Moura, Pedro

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From Independence Day to Land of Plenty: Screening American Patriotism from German Émigré Perspectives before and after 9/11 by Frank Mehring

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Figuring the Chinese film festivalscape: the Pingyao International Film Festival’s cultural and political interplay by Qi Wang, Md Azalanshah Md Syed, Sicheng Liu, Muhamad Shamsul Ibrahim

“…Co-founded by renowned Chinese director Jia Zhangke and prominent film festival expert Marco Müller, PYIFF distinguishes itself through its unique coordination between private power and government institutions. …”
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A Review of Understand Film Studies by Ali Sheikhmehdi, Arsalan Moghadas

“…However, the 10 approaches mentioned in the book do not have enough precision and comprehensiveness for film analysis. The emphasis on Hollywood films and special privileges for the director as auteur, despite the subsequent text-based analysis, reduces the updated content of the book.…”
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“We’ve had socialism in this country for so long”: An interview with Yael Bridge, director of The Big Scary “S” Word by Alice Béja, Yael Bridge

“…The documentary The Big Scary “S” Word, which premiered in the United States in September 2021, retraces the history of socialism in the United States and its contemporary manifestations. In this interview, director and producer Yael Bridge talks about the context in which the movie was filmed, the significance of socialism in US history and contemporary politics, and why it is important today to showcase the diversity of socialist experimentations and the meaning given to the word by those who use it.…”
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Entrevista ao Director de Fotografia, Acácio de Almeida. A Arte de iluminar no cinema portugués by Raquel Rato

“…O seu trabalho esteve na base do sucesso que muitos filmes obtiveram. É um director de fotografia que no meio de grandes criadores tem um enorme destaque na sua actividade de “artesão da luz”, pois tem particularidades que o diferencia e que o torna único na invenção de meios e no acto criativo. …”
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The problems of adverse effects of television and film on society by William Faure

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Creating a Cinema of Boxing in Day of the Fight (Stanley Kubrick, 1951) by Myriam Mellouli

“…The young director, inspired by film noir, exploits the transgressive nature of the sport, which has been present since the beginnings of cinema. …”
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