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  1. 21
    Othello /

    Othello / by Shakespeare, William

    Published 2009
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  2. 22
    Mfalme Edipode /

    Mfalme Edipode / by Sofokile. Mushi Samuel S.

    Published 1971
    Subjects: “…Oedipus (Greek mythological figure) Drama. 6720…”
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  3. 23
    Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625) /

    Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625) / by Stanev, Hristomir A.

    Published 2014
    Subjects: “…English drama 17th century History and criticism. 7361…”
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  4. 24
    Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625) /

    Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625) / by Stanev, Hristomir A.

    Published 2014
    Subjects: “…English drama 17th century History and criticism. 7370…”
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  5. 25
    Antigone ; Oedipus the King ; Electra /

    Antigone ; Oedipus the King ; Electra / by Sophocles

    Published 2008
    Subjects: “…Antigone (Mythological character) Drama. 10926…”
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  6. 26
    Julius Caesar /

    Julius Caesar / by Shakespeare, William, 1564-1616

    Published 2010
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  7. 27
    Saint Joan.

    Saint Joan. by Shaw Bernard

    Published 1951
    Subjects: “…Joan, of Arc, Saint, 1412-1431 Drama. 12597…”
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  8. 28
    The glovemaker /

    The glovemaker / by Weisgarber, Ann

    Published 2019
    Subjects: “…English America Drama 13181…”
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  9. 29
    LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE

    LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

    Published 2013-06-01
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  10. 30
    “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN

    “PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

    Published 2014-06-01
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  11. 31
    THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH

    THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

    Published 2013-12-01
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  12. 32
    Leveraging the Aspects of Knowledge, Attitude, and Practice as an Alternative to Prevent Detrimental Impacts of Stunting

    Leveraging the Aspects of Knowledge, Attitude, and Practice as an Alternative to Prevent Detrimental Impacts of Stunting by Novia Luthviatin, Ninna Rohmawati, Dwi Martiana Wati, Jihan Darmaningtyas, Yessinia Hanatha Pasha

    Published 2024-12-01
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  13. 33
    Energy and presence: A journey from theatre lab to teacher training

    Energy and presence: A journey from theatre lab to teacher training by Isabelle Gatt

    Published 2024-12-01
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  14. 34
    The Poetics of Second Liberation

    The Poetics of Second Liberation by Vincent R. Ogoti

    Published 2024-09-01
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  15. 35
    Reproductive Politics and Parental Economies in Titus Andronicus

    Reproductive Politics and Parental Economies in Titus Andronicus by Burzyńska Katarzyna

    Published 2023-01-01
    Subjects: “…pregnant embodiment in english early modern drama…”
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  16. 36
    A Robot who could not dance: Generating performative presence among performer, text, and audience through exploring and performing stories by children

    A Robot who could not dance: Generating performative presence among performer, text, and audience through exploring and performing stories by children by Linda Lorenza, Persephone Sextou

    Published 2024-12-01
    Subjects: “…drama training…”
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  17. 37
    Lenguaje gótico (femenino) y narraciones enmarcadas en The Weir, de Conor McPherson

    Lenguaje gótico (femenino) y narraciones enmarcadas en The Weir, de Conor McPherson by José Manuel Correoso Rodenas

    Published 2024-11-01
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  18. 38
    Teaching as a performative art

    Teaching as a performative art by James Godfrey

    Published 2024-10-01
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  19. 39
    Community of practice i indywidualizacja w nauczaniu

    Community of practice i indywidualizacja w nauczaniu by Małgorzata Karwowska-Struczyk

    Published 2016-04-01
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  20. 40
    LA PRÉFIGURATION DU SPECTACLE D’OPÉRA

    LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

    Published 2012-12-01
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