The conflict between idealism and realism in the cinema of Mohammad Hossein Mahdavian; The analysis of three films “Lottery”, “Rad-e-Khoon”, and “Majaraye Nimrooz” by M. Zaeimzade, P. Amini

“…In this study, three feature films, “Lottery”, “Majaraye Nimirroz [Midday Adventures]”, and “Rad-e Khoon [Trace of Blood]” by Mohammad Hossein Mahdavian, one of the young directors of Iran who have explored this conflict, are examined through an analytical lens influenced by John Fiske methodology. …”
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A Study of the Cultural Diplomacy of the Islamic Republic of Iran in International Film Festivals by Ali Rahimi, Fatemeh Azizabadi Farahani, Mahmoud Azizi Soldoz

“…In this article, these opportunities are presented as opportunities and threats and strengths and weaknesses. Face to face, the cinema of the Islamic Republic of Iran has been studied in international film festivals, which are part of cultural diplomacy, and has analyzed each of them in terms of the situation they create. …”
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A neoformalism study on “the moment of miracle” show based on Christianity by Mohammad Javad Goharbakhsh, Babak Saadollahi, Farnaz Ghareh daghi, Pedram Rostami

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Urban Image in Iranian Fiction Films by Azam Ravadrad, Baharak mahmoodi

“…In this article we discus about the mediator role of cinema for representing the Urban life Image and confliction of modernity in Iran.Meanwhile some megalopolis such as Paris, Berlin, Moscow, New York and sanpitersboorg est.…”
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Stars of the masculinity and Masculinity of the stars by Hasan Chavoshian, Seyed Javad Hosseini Rasht Abadi

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Cinematic Scene Techniques in the Qasida of “Mountain Reefs (Shoa’ab Jabila)” by Saadi Yousef by Rasoul Balawi, Zinab Darinavard

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Dialectic of Revelation and Concealment: A Representation of the Face as an Aesthetic Landscape in the Film Shirin (2008) by Alireza Sayyad, Javad Nematollahi

“…In Shirin (2008), Abbas Kiarostami places several of Iran’s female cinema stars in the position of spectators and records their reactions to a hypothetical film through predominantly close-up shots. …”
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The city in fragments: distraction, flânerie and urban modernity in Tehran, Conceptual Art (Mohammad Reza Aslani) by Sajad Sotoudeh, Alireza Sayyad, Milad Sotoudeh

“…This research investigates the concept of distraction in Iranian cinema that oscillates between cinema studies, visual studies, and urban history, focusing on the documentary-experimental film Tehran, Conceptual Art (Mohammad Reza Aslani, 2012). …”
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De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017) by Agnès Devictor

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A Critical Review of "Theoretical and Practical Bases of Film Music: An Essay on Film Music in the World of Islam" by Hamid Askari Rabori

“…The book titled "Theoretical and Practical Bases of Film Music: An Essay on Film Music in the World of Islam", is the first published book in Iran which deals with the study of theoretical and practical fundaments of the use of film music. …”
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Domesticating Building Fire Exit Occupancy Load Factor: The Case of Movie Theatre Waiting Areas by Sheida Bahadori, Mohammad Reza Hafezi, Saeid Bakhtiari

“…This study aims to determine the occupancy load factor (m2/person) for cinema waiting areas in accordance with Iranian conditions. …”
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Salafism as a lifestyle: Analyzing the narrative of Jihadi Salafists in Kermanshah province by O. Ghaderzadeh, K. Abbasi

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Life in the fourth quarter; Study of lifestyle in deprived neighborhoods of the Kermanshah city by J. Karimi, S. Vaezzadeh

“…Centralized, unbalanced, and unequal development in the last century has posed serious challenges to Iran's social setup, including ever-increasing deprivation in some metropolitan areas. …”
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A sociological analysis of constructing a hero in social interactions as the social malingering: A case study of “A Hero” Movie by A. Isa Maleki, S.S. Beheshti

“…Since, according to some critics and thinkers, the content and themes of Iranian cinema have a deep connection with social issues and events, this study is an attempt to highlight social interactions and analyze everyday life in contemporary Iran. …”
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A Critical Study of Chador Hijab Metamorphism in TV Representation: a Semantic Study of" the Last Sin" and "Shout Silently" Series by Ali Jafari, Mohammad Mehdi Esmaeili

“…"Chador' as an outstanding type of women veil in Iran has been affected b general trends of these changes and considerable parts of public culture and media atmosphere of Iran specially I RIB and cinema have represented these recent transformations. …”
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Invisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi government by Nastaran Doregiraei, alireza sayyad

“…The Invisible Trap is a lesser-known film in Iran's pre-revolutionary cinema, which was made by the order of SAVAK security organization in 1979. …”
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A Critical Analysis of “A Short Guide to Writing about Film” by ali sheikhmehdi, Arsalan Moghadas

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A comparative study of the concept of time in The Blind Owl and its film adaptation based on the viewpoints of Henri Bergson and Gilles Deleuze by Ghazaleh Heydari Abkenar, Asgar Salahi, Hassan Akbari Beyragh

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A Critical Review on the Book The Fantasy Film by Ali Khorashadi, Mohammad Shahba

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Dramatic and Cinematic Potentials of the Fifth Dome in Nizami's Haft Peykar by Heydar Ali Dahmarde, Hojat Raeisi

“…Although the connection between literature and cinema emerged in Iran alongside other parts of the world, Iranian filmmakers have historically paid little attention to adapting the country's classical and valuable literature. …”
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